Editorial offices are increasingly addressing their media users openly, explaining why they show (or don’t show) certain photos, often with reference to social media. In digital photojournalism, competencies in the ethics of imaging are being practiced beyond well-known dichotomies, also in view of the increasing production of AI (artificial intelligence)-generated images. This article presents complementary ethical concepts by Newton and Dodd that emphasize self-efficacy in photojournalists and producers. The concept of authenticity infrastructures is introduced for the first time in a German-language academic publication. These infrastructures are designed to make the origins of digital images technically traceable.

Jenseit der Dichotomie. Ethische Kompetenzen im Digitalen Visuellen Journalismus

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