Archiv fur Musikwissenschaft

The songs belong to the few compositions by Mendelssohn that until now have received scant philological review. They languished long enough under the verdict of possessing less value and not being weighty enough, especially in German-speaking countries. Avoiding faulty comparisons to Schubert or Schumann song settings facilitates a clearer assessment of Mendelssohn’s compositional ingenuity and sublime melodiousness that serve to capture the tone of each poem. This is especially evident in the largest lied group-the Heine settings- through the subtle compositional means used to reflect Heine’s characteristic ironic shifts.

Wolfram Steinbeck

Archiv für Musikwissenschaft

Mendelssohn und die Ironie

门德尔松与讽刺

The abiding presence of the Schönberg School caused alternative attempts to overcome tonality to fall into oblivion. Beginning in the 1930s, Russian cultural policy, which actively opposed composers of so-called “New Music,” significantly contributed to a historical distortion that still exists today; conversely, Russian composers often set accents for Western developments, as seen in the Russian Futurists. Originally inspired by Skrjabin, the comparatively little-known Moscow composer Nikolai Roslawez became a leading figure of the Russian musical avant-garde of the 1920s. An analysis of the second of his Trois Études (1914) shows that a harmonic system already existed before the twelve-tone row, one that can claim no less radical consequences for the construction and realization of music.

Michael Spors

Atonale Musik in Russland um 1914

1914年左右的俄罗斯无调性音乐

At the beginning of the nineteenth century, the music album appears as a new type of manuscript. Unlike the traditional autograph- or friendship book (<italic>Stammbuch</italic>) where music only rarely appears, music becomes the manuscript’s only content, or at least to a substantial degree. In the course of the music album’s development, the originally favored contribution of the canon is replaced by piano pieces, which can be referred to as album leaves due to their materiality. The article gives an overview of selected music albums and how they came into being, the emergence of the title “album leaves,” the evolution of the genre, and the different approaches to composing album leaves by Franz Liszt, Felix Mendelssohn Bartholdy, Robert Schumann, Richard Wagner, and Fanny Hensel.

Oliver Huck

Albumblätter für Klavier – Manuskripte und Kompositionen im 19. Jahrhundert

钢琴小品集——19世纪的手稿与作品

The paper examines methodological approaches to sixteenth-century settings that do not have a cantus firmus and are not based on vocal models, such as toccatas, intonations, preludes, and similar forms. In the first part of the paper, the results of these analytical methods as they relate to instrumental music genres before 1600 are summarized and critically examined. In the second part, the author proposes another methodological approach for this repertoire, namely, the use of musical commonplaces, thus fundamentally altering the perspective of how this repertoire is viewed.

Kateryna Schöning

„Gattung ade“!

“再见，类别”！

Saskia Jaszoltowski

Namenregister des 75. Jahrgangs

第75卷人名索引

Dietrich Kämper

Eine „unmenschliche“ Musik?

“非人”的音乐？

Hans Joachim Marx

Händels Entlehnungen von Unico Wilhelm Graf van Wassenaer

汉德尔从乌尼科·威廉·格拉夫·范·瓦森纳尔借用的作品

Franz Michael Maier

„Kultmusik“, „Melodiegestalt“, „Gesangsnotation“, „Abendland“

“文化音乐”、“旋律形态”、“歌唱记谱法”、“西方”

Ken’Ichiro Ikegami

Landespolitische Implikationen, mütterliches Mitleid

地区政治的含义，母亲的同情

Johannes Schröder

Historisch unbedeutend und ästhetisch irrelevant?

历史无足轻重，美学无关紧要？

短名
Journal Impact	0.08
期刊索引	中科院 2 区

ISSN	0003-9292, 2366-2794
h-index	6
国内分区	艺术学(2区)艺术学音乐(3区)

涉及主题	艺术哲学
出版信息	出版商: Franz Steiner Verlag GmbH，出版周期: ，期刊类型: journal，开源期刊: 否
基本数据	创刊年份: 2002，原创研究文献占比: 100.00%，自引率:0.00%， Gold OA占比: 0.00%

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