:<i>Cut/Copy/Paste: Fragments from the History of Bookwork</i>

2024-9-1

:<i>The Diagram as Paradigm: Cross-Cultural Approaches</i>

2024-9-1

Shakespeare in Samuel Beckett’s Library

2024-9-1

Who was “A. Moore”? Waste Paper as a Means of Identification

2024-9-1

Front Matter

2024-9-1

1990s Zine Distribution and Understanding the Work of Zine Distros through Their Catalogs

2024-9-1

A Newly Discovered Manuscript of Vincent of Lérins’s <i>Commonitorium</i> and Shakespeare’s Hand D in <i>Sir Thomas More</i>

2024-9-1

William Temple Franklin and the Publication of Benjamin Franklin’s Works

2024-9-1

Front Cover

2024-9-1

:<i>L’Entour du texte: La publication du livre savant à la Renaissance</i>

2024-9-1

Bastard Hands: Fifteenth-Century Scripts and the Processes of Medieval Making

2024-9-1

Society Information

2024-9-1

Creativity, Experimentation, and Failure: Queering Letterpress Printing in the Humanities Makerspace

2024-6-1

:<i>Medieval English Manuscripts and Literary Forms</i>

2024-6-1

:<i>Assembled for Use: Indigenous Compilation and the Archives of Early Native American Literatures</i>

2024-6-1

Society Information

2024-6-1

:<i>Reading Mathematics in Early Modern Europe: Studies in the Production, Collection, and Use of Mathematical Books</i>

2024-6-1

Front Cover

2024-6-1

Towards Intersectional Queer Bibliography: Three Perspectives from a Roundtable Discussion

2024-6-1

Transition by the Book: Editing, Pseudonymity, and the Possibilities of Trans Bibliography

2024-6-1

:<i>Indigenuity: Native Craftwork and the Art of American Literatures</i>

2024-6-1

Queer Bibliography: A Rationale

2024-6-1

Queering the Language of Dynasty in Imprints and Bibliographic Metadata

2024-6-1

:<i>Star Territory: Printing the Universe in Nineteenth-Century America</i>

2024-6-1

The Homosaurus, Queer Vocabularies, and Impossible Metadata

2024-6-1

:<i>Shakespeare’s “Lady Editors”: A New History of the Shakespearean Text</i>

2024-6-1

:<i>Libros e imprenta en México en el siglo XVI</i>

2024-6-1

Front Matter

2024-5-29

Creating Community and Grappling with History: Queer DIY Publishing in the United States after Stonewall

2024-5-29

Front Cover

2024-3-1

:<i>Scrivere sui libri: Breve guida al libro a stampa postillato</i>

2024-3-1

:<i>The Burke Collection of Italian Manuscript Paintings</i>

2024-3-1

:<i>Women’s Labour and the History of the Book in Early Modern England</i>

2024-3-1

Historical Shelf Marks as Sources for Institutional Provenance Research: Reconstructing the University of Virginia’s First Library

2024-3-1

:<i>The Object of Jewish Literature: A Material History</i>

2024-3-1

Black Bibliography as Biographical Method: The Publication History of <i>The Adventures and Escape of Moses Roper, from American Slavery</i>, 1837–1849

2024-3-1

Shakespeare by Touch: Tactile Reading and N. B. Kneass Jr.’s <i>Merchant of Venice</i> (1870)

2024-3-1

:<i>Gothic Chapbooks, Bluebooks and Shilling Shockers, 1797–1830</i>

2024-3-1

:<i>Digital Codicology: Medieval Books and Modern Labor</i>

2024-3-1

Society Information

2024-3-1

:<i>Gems of Art on Paper: Illustrated American Fiction and Poetry, 1765–1885</i>

2024-3-1

:<i>The Textual Effects of David Walker’s “Appeal”: Print-Based Activism against Slavery, Racism, and Discrimination, 1829–1851</i>

2024-3-1

:<i>The Making of Mary Shelley’s “Frankenstein.”</i>

2024-3-1

:<i>Códice Maya de México: Understanding the Oldest Surviving Book of the Americas</i>

2024-3-1

:<i>Fugitive Texts: Slave Narratives in Antebellum Print Culture</i>

2024-3-1

Front Matter

2024-3-1

:<i>The Private Library: Being a More or Less Compendious Disquisition on the History of the Architecture and Furnishing of the Domestic Bookroom</i>

2024-3-1

What Is a Fragment?

2023-12-1

:<i>Cover Treasure: The Life and Art of Margaret Armstrong</i>

2023-12-1

Society Information

2023-12-1