Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s <i>Maxwell’s Demon</i> and Nicola Barker’s <i>I Am Sovereign</i>

2024-9-11

The Polyphony of the Border: Genre, Narrative, Collective History

2024-9-4

’’ <i>I’m a Woman. Man, Woman, M–Woman</i> .’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf

2024-8-14

Driving While Brown: The American Road Trip in H.M. Naqvi’s <i>Home Boy</i>

2024-8-7

A Look at the Gaze in Tolkien’s <i>The Lord of the Rings</i>

2024-8-5

Frontier Stories: <i>Burnt Shadows</i> and an Alternative Ethic of Narrativizing Violence

2024-8-2

The Asymmetries of Border Spaces

2024-8-2

Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s <i>The Satanic Verses</i>

2024-8-1

Hernan Díaz on “Trust” in Literature

2024-7-31

Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms

2024-7-27

Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s <i>Mostly Dead Things</i>

2024-7-23

Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration

2024-7-23

“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s <i>Afterlives</i>

2024-7-20

An Intertextual Approach to the Question of Literary Plagiarism: Ian McEwan’s <i>Atonement</i> , <i>Solar</i> , and <i>My Purple Scented Novel</i>

2024-7-17

Beyond the Novel: Satire in Eastern Europe and Volodymyr Rafeyenko’s <i>Mondegreen</i> (2019)

2024-7-14

The Sound of Capitalism: Thomas Pynchon’s Critique of Future Economic Realities through Don Giovanni in <i>Bleeding Edge</i>

2024-7-14

A Pale View or a Cryptic View

2024-7-14

Articulating the Collective Immigrant Experience in Canada: <i>The Boat People</i> and <i>Shut Up, You’re Pretty</i>

2024-7-12

Come West, Young Woman: Jane Smiley’s Trailing Wives

2024-7-12

“Shadowy Objects in Test Tubes”: Gene Fetishism and Racialized Biocapital in Kazuo Ishiguro’s <i>Never Let Me Go</i>

2024-7-10

Reading the Graphic Narrative “The Taboo,” from the Anthology <i>This Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh</i> , As a Microhistory of Partition

2024-7-9

A Just Englishman in Russia: The Ethical Self in Penelope Fitzgerald’s <i>The Beginning of Spring</i>

2024-7-9

What Future for a Europe of the Past? Myth, Memory, and the Map of Time in the Work of Jean Raspail and Georgi Gospodinov

2024-7-8

Collapsed Modernities in the Twenty-First-Century Southern European Novel

2024-7-3

Realism, Postmodernism, and Authenticity in the Contemporary Circus Novel

2024-6-30

Mapping Traumatized Bodies and Territories in Doris Lessing’s <i>Mara and Dann: An Adventure</i>

2024-6-27

Natural Agency and Community in Paul Harding’s Tinkers

2024-6-26

Memory Writing and Cosmopolitan Identity in Timothy Mo’s <i>Pure</i>

2024-6-26

‘At the Edge of the Intactile Dark’: Gothic Minimalism in Cormac McCarthy’s <i>The Passenger</i> and <i>Stella Maris</i>

2024-6-23

Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s <i>Klara and the Sun</i>

2024-6-20

Time, Clocks, and Illnesses in Paul Harding’s <i>Tinkers</i>

2024-5-2

“Why shouldn’t I Be Wanted, Even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s <i>Animal’s People</i> and Nnedi Okorafor’s <i>Who Fears Death</i>

2024-4-14

Losing “Touch”: The Sense of Belonging in Brit Bennett’s <i>The Vanishing Half</i>

2024-4-8

“Faux Apparitions: <i>Angels or Cannibals, Between Coetzee and Defoe</i> ”

2024-4-8

Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow

2024-4-2

“ <i>Ma semblable, ma soeur</i> ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and <i>Flights</i> by Olga Tokarczuk

2024-3-25

Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel

2024-3-25

Infrastructural Closure, Rupture, and Insurgency in Lidia Yuknavitch’s <i>The Book of Joan</i>

2024-3-25

Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s <i>The Big Mirror</i>

2024-3-17

Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s <i>Animal’s People</i> (2007)

2024-3-13

Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s <i>Wasteland</i> and Dara Horn’s <i>All Other Nights</i>

2024-3-11

Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s <i>The Broken Earth</i> (2015-17) Trilogy

2024-3-4

“This Sense of Otherness”: The Horrors of the Countryside in Andrew Michael Hurley’s <i>Starve Acre</i>

2024-2-19

Vampire Aesthetics in Anne Rice’s Interview with the Vampire

2024-2-18

“Do You Love Him yet?”: The Aesthetics of Post-Traumatic Recuperation and the Fiction of J. M. Coetzee

2024-2-18

Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell’s <i>The Furrows</i>

2024-2-14

From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives

2024-2-12

Amitav Ghosh’s <i>Gun Island</i> : The Climate Crisis and Planetary Environmentalism

2024-2-7

Insignificant Inheritance: Repairing Domestic Interiors

2024-2-6

Global Forms in Bolaño’s <i>2666</i> : Genre, Race, Capital

2024-2-5