Exhibiting slavery in Australia: Personal narratives and legacies

2024-9-9

Incarceration and food insecurity: Challenges and opportunities for museum interpretation

2024-9-4

Wild Things: Planning for children in a traditional art museum

2024-8-16

<i>Bad Bridget</i>—An unexplored aspect of the Irish migration story

2024-8-5

Racial equity, reflection, and organizational change in museums

2024-7-29

Holders of battered memories: Exploring suitcases as museum metaphors for travel, exile, and incarceration

2024-7-26

Objects of “imprisonment”: Diasporic museum collections on ethnographic display

2024-7-26

The W‐<scp>ICAD</scp> model: Redefining museum access through the Workshop for Inclusive Co‐created Audio Description

2024-7-26

Invisible victims: How children's museums are strengthening families through partnerships with correctional facilities

2024-7-26

Exploring virtual museums: Pre‐service teachers' experiences of virtual museums in gifted and talented education

2024-7-25

Issue Information

2024-7-1

Other museums: The disruptive potency of curatorship for the emergence of other modes of power, knowing, and being

2024-6-18

Evaluating museum exhibits: Quantifying visitor experience and museum impact with user experience methodologies

2024-6-13

Identifying indicators, empathy, and anthropomorphism in zoo visitors' perceptions of animal wellbeing through qualitative interviews

2024-6-12

Safeguarding and inheriting intangible cultural heritage music in the Chongqing Three Gorges Reservoir area: A case study on Lore

2024-6-6

Two‐eyed tinkering with museum practice

2024-6-6

Antwerp's Royal Museum of Fine Arts

2024-6-4

Reinventing curatorial research: The museum as a laboratory for artistic learning during lockdown

2024-5-28

Book review: The role of libraries, archives, and museums in achieving civic engagement and social justice in smart cities By MohamedTaher, Hershey, PA: IGI Global. 2022

2024-5-21

<i>Apart/Together</i>: Challenges and opportunities for exhibition curation during the <scp>COVID</scp>‐19 pandemic

2024-5-19

Materializing mortality: Re‐enchanting grave goods in the British Museum using mixed‐method approaches to audience research

2024-5-18

The Sultan Mehmed the Conqueror Museum: The museumization of a cultural asset for an Ottoman conqueror

2024-5-17

The unfinished promise of infrastructure in post‐apartheid South Africa

2024-5-3

Tokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National Museum of Australia, Canberra

2024-5-1

In real life: Gaming community engagement in museums

2024-4-26

Issue Information

2024-4-1

Becoming the change we want to see: Aspirations and initial progress with diversity, equity, access, and inclusion practices to create welcoming environments and center community in informal science institutions

2024-3-7

Art in circulation: Creating content and context for digital reproduction of artworks

2024-3-4

Museum participation as labor

2024-3-4

Colonial history or decolonization? Shedding light on “the possibilities of strengthening museum communication” in Denmark

2024-3-1

Listening, hearing, and taking authority

2024-2-29

Messy databases: Recognizing transcribers as experts and engaging amateur naturalists in digitization

2024-2-28

What American children's museum mission statements say about Lifelong Competencies

2024-2-21

Making observations: Co‐design of an observation tool for and with maker educators

2024-2-8

“An African View”: The photography of Denise Scott Brown

2024-2-6

Unpacking the complexities, challenges, and nuances of museum community engagement practitioners' narratives on knowledge production in Scotland

2024-2-2

Fourfolded objects, or toward a philosophy of object‐oriented curation

2024-2-2

Coming Home to Nez Perce Country: The Niimiipuu campaign to repatriate their exploited heritage By Trevor JamesBond, Pullman: Washington State University Press. 2021. 216 pages. $24.95 (Paperback)

2024-1-31

The “colonial object” in autoethnography: Examples from Ireland, Hong Kong, and Zambia

2024-1-30

Critical consciousness, heritage, and the shape of museum practice

2024-1-25

Photoanthropocene: The decentered lens of colonial photography

2024-1-22

Trust, value, and public opinion: Learning to listen

2024-1-11

<scp>MOHOA</scp> 2. Our place, our stories: Public history journeys from Belfast to Dhiban, and back

2024-1-6

An exhibition about a well‐known architect: Challenge or opportunity? <i>Beyond: Tadao Ando and Art</i>

2024-1-5

Becoming a Better ME: Chinese science museum educators' expectations for professional growth

2024-1-3

The myth of being modern: Digital machines and the loss of discovery

2024-1-1

The Cape Town Document on Modern Heritage (2022)

2024-1-1

Transmodern heritage as a space for imagining pluriversal relations—Insights from the African “periphery”

2024-1-1