The Pole and The Tree: Zitkála-šá's "Consciousness" and the New Thought

2024-9-1

"Lie thee down, oddity!": Plot and Its Resistance in the Richardsonian Novel

2024-9-1

Friendship and Its Logics in Amis and Amiloun

2024-9-1

Satire vs Sentiment: Mark Twain, Bella Z. Spencer, and the Subscription Book Market

2024-9-1

The Reliability of Sensational Interpretation

2024-9-1

Poetry and the Inapprehensible: A Genealogy

2024-9-1

Scrolling Along: Spatial Design as Narrative in Thomas Hardy

2024-9-1

Mobilizing Literature: Social Movements and Post-1945 US Literary Studies

2024-9-1

"Cease, Be Dumb and Mute:" George Herbert's Ars Moriendi and the Poetics of Self-Discipline

2024-9-1

Rhyme's Contrapuntal History in Early Dryden

2024-6-1

Sidewise Looks: Asian American Poets Revisit Wallace Stevens

2024-6-1

On the Hybridity of the Classic Occult Detective Story

2024-6-1

"Sit Down. Take Pen and Ink and Write. Are You Ready?" Sitting in the Early Modern Imagination

2024-6-1

T. S. Eliot, Poetry, and the Ethics of "Feeling"

2024-6-1

The Probability of Paradise Lost

2024-6-1

Illness as Character as Metaphor

2024-6-1

Late Smith and the African's War Dance: Contested Values and Temporalities In Liberal Aesthetics

2024-6-1

The Character of Time in Sir Gawain and the Green Knight

2024-6-1

From Walking to the Wheel: Surrealism and the Serial Poem

2024-6-1

Patience Agbabi, The Canterbury Tales , and Polyhistorical Form

2024-3-1

Plath's German

2024-3-1

Race, Rent, and the Grid: Structure and Culture in Henry James's "The Jolly Corner"

2024-3-1

Precisely Knowing Not: Emily Dickinson and Generative Negation

2024-3-1

Margaret Walker and the WPA: Black Feminism, Progressive Government, and the Program Era

2024-3-1

Wordsworth, Shelley, and Hardy: The Inheritance of Loss

2024-3-1

Vernon Lee: Art Lover

2024-3-1

Against Literary Property: Arthur Murphy and the Copyright Metaphor in Eighteenth-Century England

2024-3-1

Bombast Circumstance: Linguistic Creativity and Aesthetic Judgment in Early Modern Tragedy

2024-3-1

Written in Haste: Practical Letters and Everyday Criticism in the Fifteenth Century

2024-3-1

Hurt Feelings: Affect, World, and Time in As You Like It and Early Modern Studies

2023-12-1

"Boyish as a Ganymede": Greek Love and the Erotic Experiment in Jude the Obscure

2023-12-1

Emblematic Arks in John Donne's "A Hymne To Christ" and the Antwerp Polyglot Bible (1568–73)

2023-12-1

A Queer Omission in Sir Orfeo

2023-12-1

On the History of Choice: William Dean Howells and the Roots of the Neoliberal Individual

2023-12-1

Hope Against Hope: Abraham Cowley and the Metaphysics of Poetry

2023-12-1

Contents

2023-12-1

All Winged Their Supermen: Mina Loy, Olive Moore, and the Transhumanist Imagination

2023-12-1

Dialect, Victorian Poetry, and the Voices of Print

2023-12-1

Exclusive Interiorities: Forgotten Novels and the Walter Scott Importance Trope

2023-12-1

Discovering Discovery in Restoration London; Or, the Theatre Under the Microscope

2023-12-1

Tillie Olsen's Reproductive Aesthetics

2023-9-1

Form, History, and the Politics of Lyric in Shelley's "ode to the west Wind"

2023-9-1

"Who Could say now with What Passion?": Reimagining Henry James and "The Beast in the Jungle"

2023-9-1

"Bird, Jewel, or Flower?": On the Tokenization of Nineteenth-Century Women's Poetry

2023-9-1

Imoinda's Rebellion: Sovereignty, Slavery, and the Ancient Constitution in Aphra Behn's Oroonoko

2023-9-1

"Gardens of Decay": Decomposing Nature in Frederick Goddard Tuckerman's American Sonnets

2023-9-1

Print Elegies, Henry Vaughan, and the Everyday Deaths of War

2023-9-1

T. S. Eliot and the Problem of the Archive

2023-9-1

Fops Vs Tops: Character and Attention in the Country Wife

2023-9-1

Addison's Classical Criticism and the Origins of Eighteenth-Century Aesthetics

2023-9-1