English Literary Renaissance

Previous articleNext article No AccessThe Utopian HypothesisDebapriya SarkarDebapriya SarkarUniversity Of Connecticut Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by English Literary Renaissance Volume 52, Number 3Autumn 2022Renaissance Fictions Published in association with the Arthur F. Kinney Center for Interdisciplinary Renaissance Studies Article DOIhttps://doi.org/10.1086/721062 Views: 96Total views on this site © 2022 English Literary Renaissance, Inc. All rights reserved.PDF download Crossref reports no articles citing this article.

Debapriya Sarkar

The Utopian Hypothesis

乌托邦假说

Previous articleNext article No AccessContesting Fiction in Gavin Douglas’ EneadosJulie OrlemanskiJulie OrlemanskiUniversity of Chicago Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by English Literary Renaissance Volume 52, Number 3Autumn 2022Renaissance Fictions Published in association with the Arthur F. Kinney Center for Interdisciplinary Renaissance Studies Article DOIhttps://doi.org/10.1086/721060 Views: 63Total views on this site © 2022 English Literary Renaissance, Inc. All rights reserved.PDF download Crossref reports no articles citing this article.

Julie Orlemanski

Contesting Fiction in Gavin Douglas’ Eneados

加文·道格拉斯《埃涅阿斯纪》中的虚构之争

Scholars attempting to describe the Eucharistic theology represented in George Herbert’s poetry have reached a variety of conclusions, and the subject remains contested. The present essay argues that Herbert’s deliberate arrangement of poems in The Temple shapes his treatment of this key theological theme. Reading The Temple in sequence reveals a shift in attention and emphasis, from the experience of divine presence in the act of receiving Communion toward an increasing awareness of that same presence in the Eucharistic elements themselves. This transition is closely related to a parallel shift in the latter part of The Temple, from an external perspective on priestly ministry to a participation in priestly actions. The poetic portrayal of Holy Communion thus moves from tasting the sacred wine to breaking and bearing the consecrated bread. At the same time, however, the poet’s more reception-focused Eucharistic meditations in the early pages of the collection pave the way for his spirituality of the priesthood toward the end of the volume. Like Holy Communion itself, priestly ministry for Herbert ultimately proves to be an experience of the grace of divine presence and union with Christ. [J.K.]

Jonathan Kanary

A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple

餐桌上的牧师：乔治·赫伯特《圣殿》中的圣餐因果关系与牧师精神

This essay considers the archival traces left by early modern playhouse song. Acknowledging that most extant sources of theatrical song were not actually produced as records of playhouse practice per se, it advocates an approach to such material that is as attentive to the context of the surviving textual witnesses as it is to a song’s dramatic origins. By putting playhouse and wider context in direct conversation, this approach seeks not only to elucidate the cultural life of dramatic songs beyond the playhouse, but also to shed new light on playhouse music itself, based on wider engagements with and transformations of the songs.Taking a case study approach, the essay investigates one song, “Come Follow Your Leader, Follow,” from The Spanish Gypsy, tracing its wide cultural circulation as a ballad tune under the title “The Spanish Jeepsie.” Building on previous work focusing on the song’s dramatic function in the playhouse, the essay argues that the song’s theatrical use as a locus of imaginative identification with marginal subject positions is then taken up in a series of ballads encouraging identification with figures ranging from fairies and drunkards to cobblers and Diggers. [S.S.]

Simon Smith

Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy

档案中的戏剧歌曲研究：以德克、福特、米德尔顿和罗利的《西班牙吉普赛人》为例

This essay covers scholarship of conscience in early modern England, with a focus on literary representations and their contexts. Conscience is treated most often in modern writing as a concept, with particular if waning relevance in religion and politics. Yet many early modern thinkers classified conscience as a vital faculty of the mind or soul, which enabled a person to know with someone, whether God, another human being, the self (reflexively), or some combination of all these. It thus functioned at a nexus of relationships that this essay studies in terms of casuistry, gender, history, law, religion, and—most intricately—literature. While surveying all these early modern English contexts influenced by conscience, this essay focuses on literary representations because they reveal the most refined insights on the varied discordant understandings of it. The continuing richness of scholarship on this concept in early modern England suggests its enduring vitality in several contentious areas, even as its etymological off-shoot “consciousness” sustains some of the modern discussions that in early modern times revolved around “conscience” itself. [J.H.]

Joshua R. Held

Recent Studies in Early Modern Conscience

近代早期良知问题研究新探

Alex Solomon

Color on the Last Day: Experimentalism and the Meaning of Skin

最后一天的色彩：实验主义与肤色的意义

Dennis Austin Britton

Preface

前言

Lauren Robertson

Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation

《美丽的阿涅阿斯：早期现代白人形象与英语翻译中的埃涅阿斯纪》

Madison R. Wolfert

The Racial Biopolitics of Sex in the Work of Henry Neville

亨利·内维尔作品中的种族生物政治与性

Willnide Lindor

Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”

黑暗的光谱：乔治·赫伯特在《埃塞俄比亚女郎围绕着色彩斑斓的男子》中对非洲女性的腹语术

短名	Engl. Lit. Renaiss.
Journal Impact	0.52
期刊索引	中科院 2 区

ISSN	0013-8312, 1475-6757
h-index	20
国内分区	文学(2区)文学英国文学(3区)文学中世纪与文艺复兴研究(3区)

涉及主题	艺术心理学文学类哲学历史语言学政治学法学
出版信息	出版商: University of Chicago Press，出版周期: ，期刊类型: journal，开源期刊: 否
基本数据	创刊年份: 1971，原创研究文献占比: 100.00%，自引率:16.70%， Gold OA占比: 0.00%

English Literary Renaissance

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