Veronica Franco in Dialogue by Marilyn Migiel (review)

2024-7-1

Recent Dantean Perspectives: A Review Article

2024-7-1

Crusoe’s Books: Readers in the Empire of Print, 1800–1918 by Bill Bell (review)

2024-7-1

Examining the Recent Drama of Russia, Ukraine, and Belarus: A Review Article

2024-7-1

Tyranny and Usurpation: The New Prince and Lawmaking Violence in Early Modern Drama by Doyeeta Majumder (review)

2024-7-1

Plays in Scots by Michel Tremblay (review)

2024-7-1

Holocaust Literature and Representation: Their Lives, Our Words ed. by Phyllis Lassner and Judith Tydor Baumel-Schwartz (review)

2024-7-1

Coleridge in Wolfenbüttel: The Double Portrait of Hans Sachs

2024-7-1

Publishing Vitriol: Rachilde, Léon Bloy, and the Mercure de France

2024-7-1

Saramago after the Nobel: Contemporary Readings of José Saramago’s Late Works ed. by Paulo de Medeiros and José N. Ornelas (review)

2024-7-1

The Historical Arthur and the ‘Gawain’ Poet: Studies on Arthurian and Other Traditions by Andrew Breeze (review)

2024-7-1

Visions of the Future: Malthusian Thought Experiments in Russian Literature (1840–1960) by Natasha Grigorian (review)

2024-7-1

The Poets of Rapallo: How Mussolini’s Italy Shaped British, Irish, and U.S. Writers by Lauren Arrington, and: Ezra Pound, Italy, and ‘The Cantos’ by Massimo Bacigalupo (review)

2024-7-1

Disputing the Deluge: Collected 21st-Century Writings on Utopia, Narration, and Survival by Darko Suvin (review)

2024-7-1

‘El acto del libro’ and Borges’s Metaphysics of the Book

2024-7-1

Shakespeare’s Tutor: The Influence of Thomas Kyd by Darren Freebury-Jones (review)

2024-7-1

The ‘Decameron’ Eighth Day in Perspective ed. by William Robins (review)

2024-7-1

Stories that Make History: Mexico through Elena Poniatowska’s ‘Crónicas’ by Lynn Stephen (review)

2024-7-1

Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts by Robert B. Pippin (review)

2024-7-1

Memory and the Built Environment in 20th-Century American Literature: A Reading and Analysis of Spatial Forms by Alice Levick (review)

2024-7-1

Kipling the Trickster: Knowingness, Practical Jokes and the Use of Superior Knowledge in Kipling’s Short Stories by John Coates (review)

2024-7-1

The History of German Literature on Film by Christiane Schönfeld (review)

2024-7-1

Nicolas Pesquès and the Ecology of Life-Writing: Human and Non-Human Relations in La Face nord de Juliau

2024-7-1

A Gaping Wound: Mourning in Italian Poetry ed. by Adele Bardazzi, Francesco Giusti and Emanuela Tandello (review)

2024-7-1

King Lear—Die Tragödie des Zuschauers: Ästhetik und Ethik der Empathie by Mathias Mayer (review)

2024-7-1

Charlottengrad: Russian Culture in Weimar Berlin by Roman Utkin (review)

2024-4-1

André Chénier: Poetry and Revolution 1792–1794. A Bilingual Edition of the Last Poems with New Translations ed. by David McCallam (review)

2024-4-1

The Necrotemporality of the Contemporary French Workplace: Death and Time in Alexandre Lacroix’s L ’ Homme qui aimait trop travailler

2024-4-1

The First Naipaul World Epics ed. by J. Vijay Maharaj (review)

2024-4-1

The Borges Enigma: Mirrors, Doubles, and Intimate Puzzles by Cynthia Lucy Stephens (review)

2024-4-1

Talk and Textual Production in Medieval England by Marisa Libbon (review)

2024-4-1

Metamodernism and Contemporary British Poetry by Antony Rowland (review)

2024-4-1

Matilde Serao: International Profile, Reception and Networks ed. by Gabriella Romani, Ursula Fanning, and Katharine Mitchell (review)

2024-4-1

Gothic Utterance: Voice, Speech and Death in the American Gothic by Jimmy Packham (review)

2024-4-1

Soviet Theatre during the Thaw: Aesthetics, Politics and Performance by Jesse Gardiner (review)

2024-4-1

The Family Novel in Russia and England, 1800–1880 by Anna A. Berman (review)

2024-4-1

Bloomsbury World Englishes by Mario Saraceni (review)

2024-4-1

Chaucer and the Ethics of Time by Gillian Adler (review)

2024-4-1

Contemporary French Poetry: Towards a Minor Poetics by Daisy Sainsbury (review)

2024-4-1

Craft Consciousness and Artistic Practice in Creative Writing by Ben Ristow (review)

2024-4-1

The Theater of Narration: From the Peripheries of History to the Main Stages of Italy by Juliet Guzzetta, and: Il teatro di narrazione: dalle periferie della storia ai grandi teatri italiani by Juliet Guzzetta (review)

2024-4-1

Biographical and Theoretical Approaches to the Arts: A Review Article

2024-4-1

Los pre-textos de ‘La Florida del Inca’ by Inca Garcilaso de la Vega (review)

2024-4-1

Forms of Exile in Jewish Literature and Thought: Twentieth-Century Central Europe and Migration to America by Bronislava Volková (review)

2024-4-1

The Wrath to Come: ‘Gone with the Wind’ and the Lies America Tells by Sarah Churchwell (review)

2024-4-1

For a Ruthless Critique of All that Exists: Literature in an Era of Capitalist Realism by Robert T. Tally Jr (review)

2024-4-1

Toy Stories: Analyzing the Child in Nineteenth-Century Literature by Vanessa Smith (review)

2024-4-1

Kurban Said’s The Girl from the Golden Horn (1938): Play with Orientalism in Inter-War Berlin and Vienna

2024-4-1

Twenty-First-Century Symbolism: Verlaine, Baudelaire, Mallarmé by Nikolaj Lübecker (review)

2024-4-1

Bertolt Brecht in Context ed. by Stephen Brockmann (review)

2024-4-1