Valentina Glajar. <i>The Secret Dossier of Herta Müller: A “File Story” of Cold War Surveillance</i>

2024-9-1

Geoff Boucher. <i>Habermas and Literature: The Public Sphere and the Social Imaginary</i>

2024-9-1

Joanna Raisbeck. <i>Karoline von Günderrode: Philosophical Romantic</i>

2024-9-1

“Troublesome Performers, Beautiful Fighters”: Bringing to Life the Kolonial-Ausstellung of 1896 at the Museum and Beyond

2024-9-1

Andrea Rottmann. <i>Queer Lives across the Wall: Desire and Danger in Divided Berlin, 1945–1970</i>

2024-9-1

Green Dada: Avant-Garde Aesthetics and Ecocritical Theory

2024-9-1

Towards Prosperity and Peace: The Beginnings of the European Project in the West German Governmental PR Film <i>Der erste Schritt</i>

2024-9-1

Giorgio Agamben. <i>Hölderlin’s Madness: Chronicle of a Dwelling Life, 1806–1843 (The Italian List)</i>

2024-9-1

Simon Spiegel. <i>Utopias in Non-Fiction Film</i>

2024-5-1

“Fliehen. Flüchten. Davon. Eilen. Stürmen”: Stumbling towards the Future in Marlene Streeruwitz’s <i>Die Schmerzmacherin</i>.

2024-5-1

The Kids Are All Right: Futurity and Black German Childhood in SchwarzRund’s <i>Biskaya</i> (2017)

2024-5-1

Introduction: Thinking the Future Today

2024-5-1

Jennifer L. Allen. <i>Sustainable Utopias: The Art and Politics of Hope in Germany</i>

2024-5-1

Lauren Berlant. <i>On the Inconvenience of Other People</i>

2024-5-1

Utopian Spaces and Their Everyday Traces in Thomas Stuber’s <i>In den Gängen</i> (2018)

2024-5-1

Education (Documentaries) and Utopian Thinking

2024-5-1

For a Justice-to-Come: Milo Rau’s Utopian Realism

2024-5-1

Eva Kernbauer. <i>Art, History, and Anachronic Interventions since 1990</i>

2024-5-1

John T. Hamilton. <i>France/Kafka: An Author in Theory</i>

2024-2-1

Holding of the Nothing: Nihilation in Paul Celan’s <i>Sprachgitter</i> and <i>Die Niemandsrose</i>

2024-2-1

Simone Pfleger and Carrie Smith, editors. <i>Transverse Disciplines: Queer-Feminist, Anti-Racist, and Decolonial Approaches to the University</i>

2024-2-1

Zeitwahrnehmung und -darstellung in Ludwig Tiecks <i>Die Elfen</i> und den Kindermärchen E.T.A. Hoffmanns

2024-2-1

Elisabeth Krimmer and Patricia Anne Simpson, editors<i>. German #MeToo: Rape Cultures and Resistance, 1770–2020</i>

2024-2-1

Sean Eedy. <i>Four-Color Communism: Comic Books and Contested Power in the German Democratic Republic</i>

2024-2-1

Katrin Trüstedt. <i>Stellvertretung: Zur Szene der Person</i>

2024-2-1

Adam A. Blackler. <i>An Imperial Homeland: Forging German Identity in Southwest Africa</i>

2024-2-1

Stefan Höppner. <i>Goethes Bibliothek. Eine Sammlung und ihre Geschichte</i>.

2024-2-1

Leben erzählen: Stefan Zweigs biographisches Erzählen und sein Leben als Gegenstand biographischer Repräsentation

2024-2-1

Towards an Eco-Pedagogy in German Studies

2023-11-1

„Die Wirklichkeit ist die Unwahrscheinlichkeit, die eingetreten ist“: Wahrscheinlichkeit, Wirklichkeit und Wahrheit im Werk Friedrich Dürrenmatts

2023-11-1

Teaching for a Green Mindset in the Era of Climate Change

2023-11-1

<i>Geschichte ist machbar</i>: “Making” the History of 1968 and Its Terrorist Aftermath in Uwe Timm’s <i>Rot</i> and Bernhard Schlink’s <i>Das Wochenende</i>

2023-11-1

Playful Distance: On the Relationship between Fossils and Time in Eduard Mörike’s “Göttliche Reminiscenz”

2023-11-1

Nicole Coleman. <i>The Right to Difference: Interculturality and Human Rights in Contemporary German Literature</i>

2023-9-1

Jakob Norberg. <i>The Brothers Grimm and the Making of German Nationalism</i>

2023-9-1

Jennifer M. Kapczynski and Caroline A. Kita, editors. <i>The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany</i>

2023-9-1

“Stars in the Water”: Hermann Broch’s <i>Die Unbekannte Größe</i> and the Language of Interwar Experience

2023-9-1

Linda Leskau, Tanja Nusser, and Katherine Sorrels, editors. <i>Disability in German-Speaking Europe: History, Memory, Culture</i>

2023-9-1

Jeff Hayton. <i>Culture from the Slums: Punk Rock in East and West Germany</i>

2023-9-1

Glass Houses and Astral Societies as Models for a New Culture: Paul Scheerbart and Walter Benjamin

2023-9-1

Unsettling German Memory Culture: The Role of Archives in Natascha Wodin’s <i>Sie kam aus Mariupol</i>

2023-9-1

The Education of Desire: Unsettling Sexuality, Gender, and Racial Politics in Contemporary Medical Romance

2023-9-1

Reclaiming<i>Heimat</i>, Uprooting National Socialism in Anna Seghers’s “Das Ende”

2023-5-1

Randall Halle. <i>Visual Alterity: Seeing Difference in Cinema</i>

2023-5-1

Barbara Beßlich. <i>Das Junge Wien im Alter: Spätwerke neben der Moderne</i>

2023-5-1

“Hollow Men” and <i>Übermenschen</i>: The Aporia of Competing Intertextual Motifs in Elfriede Jelinek’s <i>Rechnitz (Der Würgeengel)</i>

2023-5-1

The Art of Acting Up: Johann Friedrich Löwen and the Genesis of German Theatre Historiography

2023-5-1

Erica Tortolani and Martin F. Norden, editors. <i>Refocus: The Films of Paul Leni</i>

2023-5-1

Waiting to Be Human: The Cruel Optimism of Christian Petzold’s <i>Transit</i>

2023-5-1

John Zilcosky. <i>The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka</i>

2023-5-1