Institutional Legacies: Building Histories from the Footnotes and the Margins

2021-9-5

Seventeenth-century English rope dancers in the Low Countries

2020-1-1

Shakespeare's Fathers and Daughters by Oliver Ford Davies (review)

2019-5-14

Jacob Hall and other Rope Dancers on the Continent, 1678-1682

2019-1-1

Rediscovering Nora Charrington, Actress and Fabian

2019-1-1

Fanny Kemble's Dual Consciousness: Memoir and Performance Theory

2018-12-31

Rich's Register–The Chatsworth Volume

2018-2-1

Darkening the Auditorium in the Nineteenth Century British Theatre

2018-2-1

Renée Houston: Spirit of the Irresistibles by Miranda Brooke (review)

2018-1-1

Authoring the Environment: Landscapes, Crowds and Communality in Louis Napoleon Parker's Edwardian Pageants

2018-1-1

Giovanna Sestini: An Italian Opera Singer in Eighteenth Century London by Audrey T. Carpenter (review)

2018-1-1

Commedia dell'Arte in Context eds. by Christopher B. Balme, Piermario Vescovo and Daniele Vianello (review)

2018-1-1

Lady Randolph Churchill's "Tremendous, Ridiculous, Costly Hats": A Material Culture Approach to His Borrowed Plumes

2018-1-1

Shakespeare, Race and Performance: The Diverse Bard ed. by Delia Jarrett-Macauley (review)

2018-1-1

British Theatre Companies: 1965-1979 ed. by John Bull (review)

2018-1-1

The Cambridge Introduction to Performance Theory by Simon Shepherd (review)

2018-1-1

Mucedorus: From Revision to Nostalgia

2017-10-1

Succeeding the Siddons: Eliza O'neill and the triumph of the romantic style

2017-10-1

Were Property Booths Used in the First Performance of Jonson's Bartholomew Fair?

2017-6-1

Eighteenth Century Drama: Censorship, Society and the Stage (review)

2017-6-1

The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture by Paul Maloney (review)

2017-6-1

Frederick Balsir Chatterton and the Critics

2017-6-1

Antonio Brunati, King's Company Scenekeeper (1664–65)

2017-6-1

British Musical Theatre Since 1950 by Robert Gordon, Olaf Jubin, Millie Taylor (review)

2017-6-1

Helen Taylor Becomes Miss Trevor, Actress

2017-2-1

Stage Plays on Television from 1946 to the 1980s: An Overview

2017-2-1

The Censorship of British Drama 1900–1968. Volume Four: The Sixties by Steve Nicholson (review)

2017-1-1

Theatre History and Historiography: Ethics, Evidence and Truth ed. by Claire Cochrane and Jo Robinson (review)

2017-1-1

Zoffany Paintings of Garrick at Bowes Museum

2017-1-1

Theatre in Education in Britain: Origins, Development and Influence by Roger Wooster (review)

2017-1-1

London's West End Actresses and the Origins of Celebrity Charity, 1880-1920 by Catherine Hindson (review)

2017-1-1

What's the Play and Where's the Stage?: A Theatrical Family of the Regency Era by Alan Stockwell (review)

2017-1-1

Child Labour in the British Victorian Entertainment Industry: 1875-1914 by Dyan Colclough (review)

2017-1-1

The Challenge of Using Theatre as Social and Political Intervention in Nineteenth-Century Sheffield: Joseph Fox's The Union Wheel

2016-10-1

The Licensing of the Birmingham Music Halls

2016-10-1

'The Play All London is Discussing': The Great Success of Guy du Maurier's An Englishman's Home, 1909

2016-10-1

Edward Gordon Craig's two Collaborators: Michael Carmichael Carr and his Dutch Wife Catharina Elisabeth Voûte

2016-6-1

As Above, So Below: Staging the Digby Mary Magdalene

2016-6-1

Two Account Books for Covent Garden Theatre, 1757-58

2016-6-1

The Theatre of Timberlake Wertenbaker by Sophie Bush (review)

2016-6-1

Wilde, Whistler and Staging "Art for Art's Sake"

2016-2-1

Music for the Melodramatic Theatre in Nineteenth-Century London and New York by Michael V. Pisani (review)

2016-1-1

British Theatre and the Great War, 1914–1919: New Perspectives ed. by Andrew Maunder (review)

2016-1-1

The Cambridge Companion to Theatre History ed. by David Wiles and Christine Dymkowski (review)

2016-1-1

Taking on the Empire: How We Saved the Hackney Empire by Roland Muldoon (review)

2016-1-1

A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to 'The Thick of It' by Steven Fielding (review)

2016-1-1

Pepper's Ghost at the Opera

2015-10-1

A "Most Enchanting Comic Actress": Giovanna Sestini, an Italian Opera Singer in the London Theatres

2015-10-1

Donald Wolfit's Shakespeare on Broadway 1947: The Wrong Place at the Wrong Time

2015-10-1

Benson's Dream: Touring A "Grand Production" to the Provinces

2015-10-1