National Arts Festival (review)

2024-6-1

Made-Up Asians: Yellowface During the Exclusion Era by Esther Kim Lee (review)

2024-6-1

Theatre and Translation, Again

2024-6-1

Editorial Comment: More Life

2024-6-1

Digital Scholarship Roundtable: The State of the Field

2024-6-1

The Cambridge Companion to The Circus ed. by Gillian Arrighi and Jim Davis (review)

2024-6-1

Feels Right: Black Queer Women and The Politics of Partying in Chicago by Kemi Adeyemi (review)

2024-6-1

Cultures of Witnessing: Law and The York Plays by Emma Lipton (review)

2024-6-1

Professional Wrestling: Politics and Populism ed. by Sharon Mazer, Heather Levi, Eero Laine, and Nell Haynes (review)

2024-6-1

The Second Wave: Reflections on The Pandemic Through Photography, Performance and Public Culture by Rustom Bharucha (review)

2024-6-1

Tom Stoppard In Context ed. by David Kornhaber and James N. Loehlin (review)

2024-6-1

Die Zauberflöte by Wolfgang Amadeus Mozart (review)

2024-6-1

Byggmeister Solness by Henrik Ibsen (review)

2024-6-1

Pageant By Joan FitzPatrick Dean (review)

2024-6-1

Root Beer Lady the Musical by Barbara Cary Hall (review)

2024-6-1

Macbeth by William Shakespeare (review)

2024-6-1

Marginality Beyond Return: Us Cuban Performances in the 1980s and 1990s by Lillian Manzor (review)

2024-6-1

Natasha, Pierre & the Great Comet of 1812 by Dave Malloy (review)

2024-6-1

Oregon Shakespeare Festival (review)

2024-6-1

To the Life: Resurrection and Presence in The Second Maiden’s Tragedy , Hamlet , and Fat Ham

2024-6-1

A Visceral and Temporal Remix: Performing Reza Abdoh’s Archives

2024-6-1

Shakespeare and Latinidad ed. by Trevor Boffone and Carla Della Gatta (review)

2024-6-1

Monumental Cares: Sites of History and Contemporary Art by Mechtild Widrich (review)

2024-6-1

Augmented Reality and Theatre

2024-6-1

The Taylor Mac Book: Ritual, Realness and Radical Performance ed by David Román and Sean F. Edgecomb (review)

2024-6-1

The Many Voices of Sissieretta Jones: Opera and the Sonic Necromancy of the Black Phonographic Archive

2024-6-1

Eco-Performance, Art, and Spatial Justice in The Us by Courtney B. Ryan (review)

2024-6-1

Watch Night by Marc Bamuthi Joseph (review)

2024-6-1

Stereophonic by David Adjmi (review)

2024-6-1

Radical Black Theatre in the New Deal by Kate Dossett (review)

2024-3-1

Surface Relations: Queer Forms of Asian American Inscrutability by Vivian L. Huang (review)

2024-3-1

Rediscovering Stanislavsky by Maria Shevtsova (review)

2024-3-1

Miss Saigon by Alain Boublil and Claude-Michel Schönberg (review)

2024-3-1

Parade by Alfred Uhry (review)

2024-3-1

Kpop by Jason Kim (review)

2024-3-1

Evita by Andrew Lloyd Webber (review)

2024-3-1

Play Time: Gender, Anti-Semitism and Temporality in Medieval Biblical Drama by Daisy Black (review)

2024-3-1

The Wife of Willesden by Zadie Smith (review)

2024-3-1

How to Be Human in Drone Culture: In Search of a Pharmacological Recompense through Performance

2024-3-1

The Headlands by Christopher Chen (review)

2024-3-1

Black Theater, City Life: African American Art Institutions and Urban Cultural Ecologies by Macelle Mahala (review)

2024-3-1

Mahabharata by Ravi Jain and Miriam Fernandes (review)

2024-3-1

Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces by Joanne Tompkins (review)

2024-3-1

76th Festival D’avignon (review)

2024-3-1

At The Edges of Sleep: Moving Images and Somnolent Spectators by Jean Ma (review)

2024-3-1

In The Lurch: Verbatim Theater and the Crisis of Democratic Deliberation by Ryan Claycomb (review)

2024-3-1

Torera by Monet Hurst-Mendoza (review)

2024-3-1

The Theater of Narration: From the Peripheries of History to the Main Stages of Italy by Juliet Guzzetta (review)

2024-3-1

Robert Lepage’s Original Stage Productions: Making Theatre Global by Karen Fricker (review)

2024-3-1

Minor China: Method, Materialisms, and the Aesthetic By Hentyle Yapp (review)

2024-3-1