Theatre Research International
| 短名 | Theatre Res. Int. |
| Journal Impact | 0.40 |
| 期刊索引 | 中科院 4 区 |
| ISSN | 0307-8833, 1474-0672 |
| h-index | 16 |
| 国内分区 | 艺术学(4区)艺术学戏剧(4区) |
Theatre Research International publishes articles on theatre practices in their social, cultural, and historical contexts, their relationship to other media of representation, and to other fields of inquiry. The journal seeks to reflect the evolving diversity of critical idioms prevalent in the scholarship of differing world contexts. Published for the International Federation for Theatre Research
| 涉及主题 | 历史艺术艺术史哲学社会学文学类政治学法学媒体研究视觉艺术地理 |
| 出版信息 | 出版商: Cambridge University Press，出版周期: ，期刊类型: journal |
| 基本数据 | 创刊年份: 1975，原创研究文献占比: 100.00%，自引率:33.30%， Gold OA占比: 32.73% |
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最新文章
‘Why Were Our Yemenite Brothers Insulted?’: <i>Love as Strong as Death</i> as a Prequel to Mizrahi Presence in Israeli Theatre
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TRI volume 49 issue 1 Cover and Back matter
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Dossier—Negotiating Urban Spaces: Access, Care and Confinement in Contemporary Gendered Performance
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Subway Crush
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Queer Street Scenes: Interruption, Exception, Orientation
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Viral Interstitiality and Unlikely Resources: Gender and Labour in Turkish Public Theatre During the Covid-19 Pandemic
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Reclaiming Public Spaces in Post-pandemic India (Kolkata): Activist Theatre, Gender and a Resurgence of the Marginal
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‘We Will Teach Them How to Use This Building’: Acts of Accountability from South African Artists
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Performing Womanhood and Carefare in Hungary
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<b><i>Transcultural Theater</i></b>. By Günther Heeg. London: Routledge, 2023. Pp. 178 + 16 illus. £120/$160 Hb.
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Feeling the Gaze: Image and Affect in Contemporary Argentine and Chilean Performance<b><i>.</i></b> By Gail A. Bulman. Chapel Hill, NC: University of North Carolina Press, 2022. Pp. 354 + 13 illus. $47.86 Pb; $29.99 E-book.
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Scenography of the Unimaginable: Exploring Trauma of Others in <i>872 days. Voices of the besieged city</i>
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Editorial: On Collaboration
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Gender, Sex, and Sexuality in Musical Theatre: He/She/They Could Have Danced All Night. Edited by Kelly Kessler. Bristol: Intellect, 2023. Pp. xxvii + 323. £99.95/$134.95 Hb.
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Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments. Edited by Paula Richman and Rustom Bharucha. New York: Oxford University Press, 2021. Pp. xviii + 357 + 16 illus. £74/$110 Hb; £34.49/$48.99 Pb.
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The Cambridge Companion to the Circus. By Gillian Arrighi and Jim Davis. Cambridge: Cambridge University Press, 2021. Pp. xxxv + 292. £75/$80.57/₹7165 Hb; £22.99/$29.99/₹2312 Pb.
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TRI volume 48 issue 3 Cover and Front matter
2023-10-1
Made-Up Asians: Yellowface during the Exclusion Era. By Esther Kim Lee. Ann Arbor: University of Michigan Press, 2022. Pp. 262 + 23 figs. $85 Hb; $34.95 Pb.
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Black Shakespeare: Reading and Misreading Race. By Ian Smith. Cambridge: Cambridge University Press, 2022. Pp. 218. £29.99 Hb.
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Editorial: On Stormy Contextual Seas
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Staging Theatre Historiography: The Afterlives of Ottoman Armenian Drama in Contemporary Turkish Public Theatre
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TRI volume 48 issue 3 Cover and Back matter
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The Forgotten History of Our Times: Revisiting Utpal Dutt's <i>Titu Mir</i> in Contemporary India
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In the ‘Display Case’: (Capitalist) Realism and Simon Stone's ‘Zoological’ Ibsen
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‘Circles of Women’: Feminist Movements in the Choreography of Oona Doherty
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Performing Silence: Women in the Group Theatre Movement in Bengal. By Trina Nileena Bannerjee. New Delhi: Oxford University Press, 2021. Pp. xxv + 354. ₹1795 Hb.
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Samuel Beckett and the Theatre of the Witness: Pain in Postwar Francophone Drama. By Hannah Simpson. New York: Oxford University Press, 2022. Pp. xi + 188. $80 Hb.
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Plays by Women in Ireland (1926–33): Feminist Theatres of Freedom and Resistance. Edited by Lisa Fitzpatrick and Shonagh Hill. London: Methuen Drama, 2022. Pp. vii + 254 + 6 illus. £75 Hb; £24.99 Pb.
2023-10-1
Feeling the Gaze: Image and Affect in Contemporary Argentine and Chilean Performance. By Gail Bulman. University of North Carolina Press, 2022. Pp. 354 + 13 figs. $47.86 Pb; $29.99 Ebook.
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Masculinities and Manhood in Contemporary Irish Drama: Acting the Man. By Cormac O'Brien. London: Palgrave Macmillan, 2021. Pp. vii + 292. $109.99 Hb; $84.99 Ebook.
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Abhilash Pillai's <i>Midnight's Children</i>: Performing Politics through Optics
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Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Edited by Fintan Walsh. London: Bloomsbury Publishing, 2020. Pp. xii + 216 + 7 illus. £26.99 Pb.
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‘Stalin Died but Not Completely’: On the Theatrical Legacy of Totalitarian Catastrophe
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Marginalized: Southern Women Playwrights Confront Race, Region, and Gender. By Casey Kayser. Jackson: University Press of Mississippi, 2021. Pp. xii + 202 + 18 illus. $99.00 Hb; $30.00 Pb.
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How the Teatro Olimpico and the Drottingholm Slottsteater ‘Perform’ Their Pasts
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How Does Khashabi Theatre Produce a ‘Dual Presence’ of Palestinian Urbanism? Ghosts and Memory in Its First Season, Haifa, 2015–2016
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Editorial: What Memory Wants
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TRI volume 48 issue 2 Cover and Front matter
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Ghostly Interpellations: Testimonial Inscriptions on the Stage
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TRI volume 48 issue 2 Cover and Back matter
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‘Try Again. Fail Again. Fail Better’: Adapting Samuel Beckett's <i>Waiting for Godot</i> for the Chinese Stage – Real and Virtual
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Performing the Wound: Practicing a Feminist Theatre of Becoming. By Niki Tulk. London and New York: Routledge, 2022. Pp. ix + 182 + 12 illus. £33.29/$48.95 Hb.
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A History of Butô. By Bruce Baird. New York: Oxford University Press, 2022. Pp. 272. £81.00/$125.00 Hb; £25.99/$39.95 Pb.
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Utopia in Performance: Finding Hope at the Theatre. By Jill Dolan. Ann Arbor: University of Michigan Press, 2005. Pp. 233. $27.95 Pb.
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Real Theatre: Essays in Experience. By Paul Rae. Cambridge: Cambridge University Press, 2019. Pp. xiv + 236. £78.99/$105 Hb; £26.99/$34.99 Pb.
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Theatre and Its Enchantments
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Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)
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Patrick White's Theatre: Australian Modernism on Stage, 1960–2018. By Denise Varney. Sydney: University of Sydney Press, 2021. Pp. x + 202. £27.54/$45 Pb.
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