The scientific journal Acta Neophilologica is the review of Slovenian experts in English-speaking, German-speaking and French- and Italian-speaking literary historians that publishes scientific studies of international and domestic scientists in the field of Western-European, American and other literatures in English. The journal pays special attention to the problems from the history of cultural and especially literary and theatre contacts between Slovenia and Western-European literatures, as well as the problems of Slovenian emigrant literature. The articles are published in the world language (English, German, French, Italian) the literature of which the author analyzes, the abstracts are written in a foreign language and the summaries in the Slovenian language.

The scientific journal Acta Neophilologica is a review by Slovenian experts in English-speaking, German-speaking, French-speaking, and Italian-speaking literary history. It publishes scientific studies by both international and domestic scholars in the fields of Western European, American, and other literatures. The journal pays special attention to issues related to the historical cultural and literary exchanges between Slovenia and Western European literatures, as well as the challenges of Slovenian emigrant literature. Articles are written in the language of the literature being analyzed (English, German, French, Italian), with abstracts provided in a foreign language and summaries in Slovenian.

《Acta Neophilologica》是一本科学期刊，专注于英语、德语、法语和意大利语文学史的斯洛文尼亚专家的评审。该期刊发表国际和国内科学家在西欧、美国及其他文学领域的科学研究。期刊特别关注斯洛文尼亚与西欧文学之间的文化及文学、戏剧交流历史问题，以及斯洛文尼亚移民文学的问题。文章以作者分析的文学语言（英语、德语、法语、意大利语）撰写，摘要用外语书写，摘要则用斯洛文尼亚语撰写。

Acta Neophilologica

This paper focuses on style and aesthetic risk in a single Mavis Gallant story, “Mlle. Dias de Corta.” It considers the narrative trajectory in this story that is in letter form but is a letter that can never be received because the intended recipient’s whereabouts are unknown. In examining Gallant’s story, I consider the vast emotional terrain the narrator traverses, while also looking at generic considerations, you-narrative and the foundations on which the narrator’s apparently sudden change in character are based.

Jason Blake

Homecoming, You and Genre in “Mlle. Dias de Corta”

《归乡，你与“Mlle. Dias de Corta”中的类型》

How literature is made from literature, what kind of procédés are used in expressing or covering a text with the fabric of quotations in it, how a meta-text regulates the reception of the original text and to what degree it is part of the latter, how a palimpsestic superscription unveils the reading and the understanding of tradition? All these questions pertaining to intertextuality (e. g. citations, allusions, parody, literary travesty, pastiche, etc) are addressed in the article. This is not done purely theoretically, but is applied in the examination of literary affiliations between two poets and their satirical works, the English Augustan poet of the 18th century Alexander Pope and a major twentieth-century Australian Augustan poet A. D. Hope.

Igor Maver

The Contested Charm of Dunciad Minor by A. D. Hope

A.D. 霍普的《小顿西亚德》的争议魅力

This article offers a re-reading of James Joyce’s “Eveline” as a transnational story. The concept of the transnational is brought into conversation with motherhood studies, more precisely, with the notion of the ‘mother-daughter dyad’ (Hirsch). The key here is to ex­plore the formal and narratological clues that Joyce uses to convey religiously inflected inheritances of the maternal, inner splits, patterns of repression and matrophobic reflexes. Joyce partly maps Eveline’s psyche by engaging the reader in a set of delicate auditory exercises and, thereby, offers an indirect re-writing of the Orpheus myth. This article shows how the short story has been conceived as a sort of soundbox and demonstrates that Stephen Clingman’s conceptualisation of the transnational through ‘vertical’ versus ‘horizontal’ patterns of identity can be productively applied in the exploration of literary representations of mother-daughter relations as well.

Michela Borzaga

‘Mother-Daughter Syntax’

“母女句法”

Raymond Devos je vedno veljal za izjemnega komika, za genija francoskega jezika in za tistega, ki je kljub temu, da je bil zgolj komik, segal po najvišjih vršacih duha. Njegov nadrealistični svet je ljudi spravljal v smeh. Ta moč mu je ostala še danes. Kot pri precej komikih pa ima tudi njihov humor, ki ga navdihuje resničnost, pogosto bolj univerzalno ali osebno sporočilo. V tem članku bomo zato poskušali predstaviti malo znan vidik Devosa, ki se odraža v nekaterih skečih. Čeprav je v svojih tezah videti kot nihilist, se v njih skriva sklicevanje na različne filozofije ali miselne šole. Zato bomo s pomočjo elementov iz njegovega življenja poskušali najti krščansko versko sporočilo, ki se skriva za duhovitim humorjem.

Andrej Serna Balgač

Razmišljanje o metafiziki v skečih Raymonda Devosa

雷蒙德·德沃斯短剧中对形而上学的思考

Dans le présent article, nous présentons en préambule la place du texte littéraire dans l‘histoire de l‘enseignement des langues pour passer ensuite à des arguments en faveur de l‘utilisation des textes littéraires en classe de langue. Dans la partie empirique, nous essayons d’abord de déterminer la place de la littérature dans quatre manuels de FLE. Ensuite, nous présentons les résultats des entretiens semi-dirigés que nous avons effectués avec six enseignantes slovènes tout en leur demandant leurs avis sur la littérature dans l’enseignement des langues. Nous terminons en évoquant la question des textes adaptés, souvent utilisés en classe de langue étrangère.

Meta Lah

Le texte littéraire dans l’enseignement d‘une langue étrangère : une espèce menacée?

外语教学中的文学文本：一种濒危物种？

T.S. Eliot’s 1915 poem ‘The Love Song of J. Alfred Prufrock’ repeatedly registers the need to self-optimize in response to provocations. Yet, the narrator is never able to respond to them in a way that would either improve his personal standing or bring him favorable social recognition. As he never denies the need to improve, the inability transitions into disinterest in the question of improvement itself. This essay argues that the narrator’s (in)ability to support or oppose self-optimization in ‘Prufrock’ indicates a liminal position with respect to the problem, a position in which the self is impassive, indifferent, and perhaps even bored. However, even as this configuration of (in)capacity leading to disinterest is repeatedly brought forth in the poem, it cannot be taken to be ineffectual and pointless. Rather, the apparently endless iteration of the arrangement brings about new possibilities for the imagination of the self—possibilities of the self’s co-existence with contingencies of time, space, and expression.

Chinmaya Lal Thakur

To Improve or Not to Improve

改进还是不改进

Margaret Atwood’s provocative book of non-fiction contains many literary references, which help to effectively highlight her points about such a topical matter as debt, debt as a philosophical, politico-economic, religious, and historical issue over the centuries. In the central chapters of the book she looks at the Protestant Reformation and the introduction of interest on loans and in this light analyzes the novels by Dickens, Irving, Thackeray and G. Eliot. Her final statement in the book is, however, about the ecological debt we all have to pay to Earth in order to ensure our existence.

&lt;i&gt;Payback: Debt and the Shadow Side of Wealth&lt;/i&gt; Margaret Atwood

《回报：债务与财富的阴暗面》玛格丽特·阿特伍德

This article discusses revelations of patriarchal along with colonial discourse and practice as poignantly adumbrated to coalesce and interact in Joseph Conrad’s Heart of Darkness. In this respect, the misogynistic representation of female characters who are sketched as insubstantial mystified stereotypes in a heterosexist men’s world constitutes an important aspect of the narrative. Besides, the connotative depiction of the river – characterized by an antagonistic aura ascribable to the hinted juxtaposition of the Congo and the Thames – as a symbolically evocative topographical element encourages keen reflection. Last but not least, the implication of language as an influential instrument serving to the endorsement of colonialist as well as patriarchal causes is worth exploring from a psychoanalytic perspective featured by feminist sensitivity.

Emre Say

Psihoanalitični razmislek o falocentrizmu in kolonializmu v Conradovem romanu &lt;i&gt;Srce teme&lt;/i&gt;

康拉德小说《黑暗之心》中的父权中心主义与殖民主义精神分析思考

The article provides a corpus-assisted analysis of colour terms in Bram Stoker’s novel Dracula. The aim of the analysis is to establish whether colours contribute to the novel’s Gothic mood. Colours can be used to evoke specific atmospheres; they also bear symbolic meanings. This makes them a powerful option for enhancing the mood of a Gothic horror novel. The analysis indicates that white, red and black are the most important colours in Dracula, appearing in distinct patterns and contexts.

Nina Jakoša

Pomen barv v romanu &lt;i&gt;Drakula &lt;/i&gt;Brama Stokerja

《布拉姆·斯托克小说<i>德古拉</i>中的色彩象征》

With this paper we present a new theory of the fantastic called apperception theory, by connecting two distinct scientific dialogues. Considering the research of the last decades in cognitive science and Cognitive Literary Studies (CLS) –embodied simulation, mirror neurons, intersubjectivity, intersequentiality– we define the fantastic as the linkage that can emerge from a modification of our linguistic, narrative and paradigmatic apperceptions as an anomaly, alteration or transgression of at least one of the cognitive levels that operate in any narrative experience. At the same time we offer an analytical scheme of fantastic narrative texts, an alternative in the dual debate between the fantastic as a literary genre (Todorov) and the fantastic as a narrative mode that exploits specific mechanisms to force other kinds of text (Bessière). The cognitive approach allows for the development of apperception theory, in order to identify the degree and depth of fantastic linkages that emerge from apperceptive connections.

短名	AN
Journal Impact	0.52

涉及主题	哲学艺术历史语言学文学类政治学法学神学人文学科社会学
出版信息	出版商: University of Ljubljana Press，出版周期: ，期刊类型: journal，开源期刊: 是
基本数据	创刊年份: 2017，原创研究文献占比: 100.00%，自引率:25.00%， Gold OA占比: 100.00%
平均审稿周期	网友分享经验：16 Weeks

Acta Neophilologica

期刊引文格式

有 1 位以上作者的期刊

有 2 位作者的期刊

有 3 位作者的期刊

有 5 位以上作者的期刊

书籍引用格式

学位论文引用格式

网页引用格式

专利引用格式

手工熬夜修改参考文献？研飞自动匹配期刊，一键轻松成稿，支持 Word/WPS

投稿经验分享

Homecoming, You and Genre in “Mlle. Dias de Corta”

The Contested Charm of Dunciad Minor by A. D. Hope

‘Mother-Daughter Syntax’

Razmišljanje o metafiziki v skečih Raymonda Devosa

Le texte littéraire dans l’enseignement d‘une langue étrangère : une espèce menacée?

To Improve or Not to Improve

<i>Payback: Debt and the Shadow Side of Wealth</i> Margaret Atwood

Psihoanalitični razmislek o falocentrizmu in kolonializmu v Conradovem romanu <i>Srce teme</i>

Pomen barv v romanu <i>Drakula </i>Brama Stokerja

Fantastično v telesu in umu: teorija apercepcij

ISSN	0567-784X, 2350-417X
h-index	4