Source
| 短名 | Source. Notes. Hist. Art. |
| Journal Impact | 0.11 |
| 期刊索引 | 中科院 3 区 |
| ISSN | 0737-4453, 2328-207X |
| h-index | 6 |
| 国内分区 | 艺术学(3区)艺术学艺术(3区) |
| 涉及主题 | 艺术历史哲学地理艺术史 |
| 出版信息 | 出版商: University of Chicago Press，出版周期: ，期刊类型: journal |
| 基本数据 | 创刊年份: 2002，原创研究文献占比: 100.00%，自引率:0.00%， Gold OA占比: 0.00% |
期刊引文格式
这些示例是对学术期刊文章的引用，以及它们应该如何出现在您的参考文献中。
并非所有期刊都按卷和期组织其已发表的文章，因此这些字段是可选的。有些电子期刊不提供页面范围，而是列出文章标识符。在这种情况下，使用文章标识符而不是页面范围是安全的。
只有1位作者的期刊
有2位作者的期刊
有3位作者的期刊
有5位以上作者的期刊
书籍引用格式
以下是创作和编辑的书籍的参考文献的示例。
学位论文引用格式
网页引用格式
这些示例是对网页的引用，以及它们应该如何出现在您的参考文献中。
专利引用格式
最新文章
Illustrating Illicit Miscegenation: Max Fröhlich’s <i>The Honeymoon</i> (1907)
2024-3-1
The Allegorical from the Literal: An Underappreciated Sixteenth-Century Comment on Michelangelo’s <i>Last Judgment</i>
2024-3-1
Contributors
2024-3-1
Marcantonio Michiel and the Vault of “Our Celestial Hemisphere” in Cremona
2024-3-1
Reading Evaristo Baschenis’s <i>Agliardi Triptych</i> as Religious Allegory
2024-3-1
Charles Deas’s <i>The Death Struggle</i> and the Fall of the Rebel Angels
2024-3-1
Front Matter
2024-3-1
Editor’s Note: You Must Remember This
2024-3-1
Elisabeth Louise Vigée Le Brun’s <i>Portrait of Marie Rose Sanlot</i> (1776)
2024-3-1
The <i>Batman</i> TV Series (1966–68) and Its Impact on <i>Batman</i> Comic Books
2024-1-1
<i>Heaven Official’s Blessing</i>: BL Culture and the Integration of Chinese Traditional Art Style in Web Comics
2024-1-1
Recycling as Reinvention in Early American Sunday Comics: Rudolph Dirks, R. F. Outcault, and the European Masters
2024-1-1
Contributors
2024-1-1
Front Matter
2024-1-1
Editor’s Note: Of Kunzle, Kids, and Komix
2024-1-1
On the Border in a Belgian Comic
2024-1-1
<i>Colleen Doran Illustrates Neil Gaiman</i>
2024-1-1
Back to <i>Fumetti</i>?
2024-1-1
Comics, Polyrepresentation, and the Limits of Representation
2024-1-1
The Critique of the Modern Art Museum in Four Colors: Anna Haifisch’s <i>The Artist x MoMA</i>
2024-1-1
Odysseus and Ino in Apollonio di Giovanni’s Early Renaissance <i>Cassone</i> Narratives
2023-9-1
Carlo Crivelli’s <i>Madonna of the Passion</i> and the Lost Church of San Sebastiano, Venice
2023-9-1
Editor’s Note: Creative Anachronisms
2023-9-1
Finding Time: The Evidence for the Pennsylvania State House Eastern Clock Dial
2023-9-1
Front Matter
2023-9-1
The Bianchi of 1399 at Empoli: A Tuscan Visual Commemoration
2023-9-1
Contributors
2023-9-1
“Stain’d with divers sorts of Paints”: Transatlantic Slavery in John Smibert’s Boston Studio, 1737
2023-9-1
Adriana de Mila and the Decorative Program in the Orsini Castle at Vasanello
2023-9-1
“In Topsy-Turvy Land”: The Combat of Cats and Rats in the Lima Procession of 1659
2023-6-1
Front Matter
2023-6-1
Marco Zoppo’s Lascivious Drawings and the Erotic Lexicon
2023-6-1
German Brass Basins as a Source for Late Fifteenth- and Early Sixteenth-Century Valencian Lusterware Forms
2023-6-1
Contributors
2023-6-1
Rising from Troubled Waters: Cy Twombly’s <i>Anadyomene</i> (1981)
2023-6-1
Editor’s Note: Six New Lenses for the Phoropter
2023-6-1
A Modern Pietà: Hugh Auchincloss Steers’s <i>Hospital Bed</i> and Reconceiving a Holy Family
2023-6-1
Raphael’s Two Uncles
2023-6-1
The Wise and Foolish Virgins of Nicosia Cathedral
2023-3-1
Christina Robertson’s <i>Children with a Parrot</i>: Identification of the Sitters
2023-3-1
Editor’s Note: Our Current Lineup of Diversity, Equity, and Inclusion
2023-3-1
<i>The Hanging of Judas</i> in Chicago and the End of an Image
2023-3-1
Contributors
2023-3-1
Erasmus’s Nose
2023-3-1
Front Matter
2023-3-1
Summoned by Bells: The Soundscape of Leonardo da Vinci’s <i>Battle of Anghiari</i>
2023-3-1
Turks of the Passion: The Antagonists of Christ in Passion Scenes of Transylvanian Wooden Churches
2023-3-1
Lavinia Fontana’s <i>Birth of the Virgin</i>
2023-3-1
Adolphe Valette and the <i>Firefly</i>
2023-1-1
Caravaggio’s <i>John the Baptist with a Ram</i>: Iconography and Source
2023-1-1
帮你贴心管理全部的文献
研飞ivySCI，高效的论文管理
投稿经验分享
分享我的经验，帮你走得更远