SHAW

James Armstrong

Shaw

The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)

易卜生《玩偶之家》的精髓（亨里克·易卜生的《玩偶之家》）

ABSTRACT In a bold move, Josie Rourke reimagined Bernard Shaw’s Saint Joan for the 2016 audience at the Donmar Warehouse, setting it against the backdrop of today’s financial world. She transported Joan from the medieval battlefield to a modern corporate boardroom, turning historical drama into a commentary on financialization. Through this lens, Rourke’s production responds with Shaw’s paradoxical sense of history, characterized by a skepticism toward short-term trends, yet with an underlying optimism for long-term human progress driven by imagination. By examining egg futures and stock markets, this article adopts an interdisciplinary approach to position theatrical work within the realm of economics, an endeavor that may offer a literary framework of humanity when contemplating our current economic landscape.

Runfeng Wu

“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan

“建立在金钱之上”：资本主义的金融化与乔西·劳克的《圣女贞德》舞台剧中的历史感

ABSTRACT This article examines the impact of Bernard Shaw in the twentieth-first century, through looking at the performance of an excerpt from Pygmalion (1913) at Buckingham Palace, London. This performance was part of a Gala held to celebrate the UK’s dramatic arts, to mark the Royal Academy of Dramatic Art’s (RADA) 110th anniversary, and to celebrate sixty years of Queen Elizabeth II’s patronage of RADA. It was attended by Queen Elizabeth II, the Duchess of Cambridge who is now the Princess of Wales, and Prince Michael of Kent, together with 250 guests, including superstars from the theater, radio, TV, and films holding Academy, Emmy, Grammy, BAFTA, and numerous other awards. The ways these personages encountered Shaw reflected not only the various renditions of Shaw’s plays in modern times, but also the high-level possibilities to revive Shaw, which still need championing before they can materialize.

Kay Li

Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century

《伊丽莎·杜利特尔在白金汉宫：评估萧伯纳在二十一世纪的影响》

Gustavo A. Rodríguez Martín

A CONTINUING CHECKLIST OF SHAVIANA

《萧伯纳作品持续清单》

ABSTRACT This article interprets Bernard Shaw’s Pygmalion in terms of two key notions integral to Paul Ricoeur’s philosophical anthropology—the capable human being and mutual recognition—both of which have their analogues in the perennially acclaimed play. For Shaw and Ricoeur, the world would be a much better place if people practiced mutual recognition and its entailments. It is the best remedy, they believe, for healing the festering wounds that have brought civilization to the edge of the abyss. For both, mutual recognition encompasses human rights in all its dimensions and provides a sound framework for righting past injustices through reconciliation and forgiveness.

Howard Ira Einsohn

Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition

里科佩尔式的“皮格马利翁”：萧伯纳、保罗·里科佩尔与能动人类与相互承认之间的共同纽带

Publication Information	Publisher: Penn State University Press，Publishing cycle: ，Journal Type: journal，Open Access Journals: No
Basic data	Year of publication: 2010，Proportion of original research papers: 100.00%，Self Citation Rate:N.A.， Gold OA Rate: 0.00%

SHAW

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The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)

“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan

Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century

A CONTINUING CHECKLIST OF SHAVIANA

Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition

The Quintessence of Ibsen’s A Doll’s House (Henrik Ibsen’s A Doll’s House)

“Built on the Money”: The Financialization of Capitalism and the Sense of History in Josie Rourke’s Stage Production of Shaw’s Saint Joan

Eliza Doolittle at Buckingham Palace: An Assessment of Shaw’s Impact in the Twentieth-First Century

A CONTINUING CHECKLIST OF SHAVIANA

Pygmalion in Ricoeurian Colors: Bernard Shaw, Paul Ricoeur, and the Shared Nexus between the Capable Human Being and Mutual Recognition

Abbreviation
Journal Impact	0.44

ISSN	0741-5842, 1529-1480
h-index	4