Water Supply and the Hygiene of the Poorest in G. B. Shaw’s <i>Pygmalion</i>

2024-5-1

Revisiting Mander and Mitchenson’s <i>Companion</i> (Theatrical Companion to SHAW: A Pictorial Record of First Performances of the Plays of G. B. S. with Synopses, Casts and Detailed Notes

2024-5-1

On Vegetarianism by Bernard Shaw

2024-5-1

Loosening the Stays: Victorian Shaw

2024-5-1

20th Anniversary of The International Shaw Society

2024-5-1

The Rule and the Exception: Katharine Cornell and Peggy Wood Reviving Candida

2024-5-1

George Eliot, Bernard Shaw, and Their Doctors’ Dilemmas

2024-5-1

INTERNATIONAL SHAW SOCIETY

2024-5-1

Personal and Political Marriages (Bernard Shaw: Reimagining Women and Ireland, 1892–1914)

2024-5-1

Was Shaw a Victorian? We Need to Ask Another Question

2024-5-1

Introduction

2024-5-1

Subverting the Melodramatic in <i>The Devil’s Disciple</i>

2024-5-1

From the Shaw Bot to ChatGPT: An Assessment of ChatGPT and Recommendations for Improvement

2023-10-1

Bernard Shaw and the Charles Macdona Partnership: Part I

2023-10-1

A CONTINUING CHECKLIST OF SHAVIANA

2023-10-1

Bernard Shaw + Richard Rorty = Two Dialectical Peas in a Jesusian Pragmatist Pod

2023-10-1

Shaw’s Proposal and Churchill’s Hope

2023-10-1

NOTICES

2023-10-1

INTERNATIONAL SHAW SOCIETY

2023-10-1

World Bettering Partnerships (Sidney and Beatrice Webb: An Academic Biography)

2023-10-1

Introduction

2023-10-1

<i>Pygmalion</i> and the Technologies of Global English

2023-10-1

Philip Hagemann—a Shavian Composer?

2023-10-1

Shaw Abroad—Art Without Dragons (Bernard Shaw and the Spanish-Speaking World)

2023-10-1

Irish Übermenschen (Nietzsche and Irish Modernism)

2023-10-1

GBS Illustrated: Adrien Barrère: Shaw the Court Jester

2023-10-1

Remembering <i>The Independent Shavian</i>

2023-10-1

Miss Baxter and Mrs. Warren

2023-10-1

Shaw Among the Utopians (Utopian Drama: In Search of a Genre)

2023-10-1

“Whole Play Complete, Only Waiting to Be Filled Out”: The Postmodern Hybrid of <i>Why She Would Not</i> by Bernard Shaw and Lionel Britton

2023-6-1

Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals)

2023-6-1

Shaw Disarms the Man: War, Colonialism, and Theater in the 1890s (Arms and the Man, The Devil’s Disciple, <i>and</i> Caesar and Cleopatra)

2023-6-1

Operatic Adaptations of Shaw’s Plays <i>The Devil’s Disciple</i> and <i>The Music Cure</i>

2023-6-1

David Staller in Conversation: A Look Into the New York World of David Staller

2023-6-1

Three Early Shaw Plays That Interrogate Marriage, the Family, and Women’s Roles (Mrs. Warren’s Profession, Candida, <i>and</i> You Never Can Tell)

2023-6-1

Introduction

2023-6-1

“I’m a slave now, for all my fine clothes”: Bernard Shaw’s <i>Pygmalion</i> and the Dido Myth

2023-6-1

Shavian Perspectives on the Cusp of Change and War (Pygmalion, Heartbreak House, <i>and</i> St. Joan)

2023-6-1

Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”)

2023-6-1

Adaptation, Litigation, and Petrifaction: Bernard Shaw and That “loathsome plagiarism” <i>The Chocolate Soldier</i>

2023-5-18

Amending Shakespeare: Bernard Shaw’s Displeasure with <i>Cymbeline</i>, Act 5, in the Contexts of Modern Bardolatry and Syncretism

2023-5-18

INTERNATIONAL SHAW SOCIETY

2023-5-18

Growing Up Like Romola: The Spiritual Evolutions of George Eliot and Bernard Shaw

2022-11-1

Metadrama and Language (Language and Metadrama in <i>Major Barbara</i> and <i>Pygmalion:</i> Shavian Sisters)

2022-11-1

Introduction

2022-11-1

The Joy of Taxes

2022-11-1

Shaw’s <i>Village Wooing</i>: Love and Language from A to Z

2022-11-1

The “Shavian Pattern” of Hallucinatory Experience: <i>Saint Joan</i> and the Problem of the Voices

2022-11-1

Shaw the Fighter (Bernard Shaw and the Censors. Fights and Failures, Stage and Screen)

2022-11-1

Mourning Agnes: The Hidden Impact on Bernard Shaw of the Death of His Sister

2022-11-1