Kabuki, A Mirror of Japan: Ten Plays That Offer a Glimpse Into Evolving Sensibilities by Matsui Kesako and David Crandall (review)

2024-9-1

K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)

2024-9-1

The Past in the Present: The Religious and Royal Dimension of Newar Traditional Dance Theatre, Nepal

2024-9-1

From the Editor

2024-9-1

Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness

2024-9-1

Speaking of the Spiritual: An Exploration of Knowledge and Pedagogy in Performing Arts in Malang, East Java

2024-9-1

A Guru’s Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora by Sarah Morelli (review)

2024-9-1

The Legend of Prince Golden Calf in China and Korea by Wilt L. Idema and Allard M. Olof (review)

2024-9-1

A Babel of Nature: The English-Language Sources of Zheng Junli’s “Tan biaoyan” (On Acting, 1936)

2024-9-1

The Performers’ Brush: A Case Study of Scene Twelve “Composing the Score” (“Zhipu”) in a Mid-Qing Stage Script of Changsheng dian (Palace of Everlasting Life)

2024-9-1

Shakespeare & East Asia by Alexa Alice Joubin (review)

2024-9-1

Celebration and Remembrance in Kalibo’s Ati-Atihan: Mythmaking, Devotion, and Cultural Memory

2024-9-1

Ethos of Yajña Ritual: Mapping Girish Karnad’s The Fire and the Rain

2024-9-1

Decolonizing and Producing Working-class Theatre in Pakistan: The Poetics and Politics of Sangat Theatre’s Chog Kusumbhey Di (Picking Safflower)

2024-9-1

Performance Cultures as Epistemic Cultures, Volume I: (Re)Generating Knowledges in Performance and: Performance Cultures as Epistemic Cultures, Volume II: Interweaving Epistemologies by Erika Fischer-Lichte et al (review)

2024-9-1

Re-Purposing Suzuki: A Hybrid Approach to Actor Training by Maria Porter (review)

2024-9-1

Understanding Reality Through Science Fiction and Digitalization: The Hybrid Theatrical Space in Sun Xiaoxing’s Rhinoceros (2020)

2024-9-1

Imigure Kaidan (Immigrant Ghost Stories) (review)

2024-3-1

How Culture Was Planned: Shanghai’s Troupe-Relocation Project in the 1950s

2024-3-1

Moving Bodies, Navigating Conflict: Practicing Bharata Natyam in Colombo, Sri Lanka by Ahalya Satkunaratnam (review)

2024-3-1

changeABLE cohesion : Dance and Disability in Post-war Sri Lanka

2024-3-1

From The Editor

2024-3-1

Dancing the Dharma: Religious and Political Allegory In Japanese Noh Theater by Susan Blakeley Klein (review)

2024-3-1

Theatre as Memory Site: Cultural Activities, Imaginaries, and Theatrical Things of a Regional Xiqu Theatre in Contemporary China

2024-3-1

“This Is a Political Play”: Making Coriolanus Relevant in Contemporary Iran

2024-3-1

Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments ed. by Paula Richman and Rustom Bharucha (review)

2024-3-1

The Challenge of World Theatre History by Steve Tillis (review)

2024-3-1

Ran’s Diary : Sexually Suggestive Protest and Counterpublic Discourse Staged by Asian Others in South Korea

2024-3-1

Ugly Past/Insensitive Present: Blackface in Persian Popular Entertainment

2024-3-1

From Temple to Theatre: The Making of Commercial Grassroots Performance Spaces in Republican China

2024-3-1

Ideological Crisis, Compliance, and Self-Censorship: Identifying the Symptoms of Sinhala-Speaking Theatre Through Its Responses to the Civil War

2024-3-1

‘‘Made in Korea’’: Tradition and Transculturality in Changgeuk Lear

2024-3-1

How to Read Chinese Drama: A Guided Anthology ed. by Patricia Sieber and Regina Llamas, and: How to Read Chinese Drama In Chinese: A Language Companion ed. by Guo Yingde et al. (review)

2024-3-1

Selected Plays of Stan Lai by Stan Lai (review)

2023-9-1

The Many Uses of Censorship: Cultural Regulation on Tamasha in Maharashtra

2023-9-1

Godot Came

2023-9-1

Haha (My Mother) by Myrtle Arts (review)

2023-9-1

A History of Butō by Bruce Baird (review)

2023-9-1

Chinese Traditional Theatre and Male Dan: Social Power, Cultural Change and Gender Relations by Chao Guo (review)

2023-9-1

Betsuyaku Minoru’s Artful Ambiguity

2023-9-1

“One Opera, Two Nationalisms”: Negotiating Hong Kong Identity and Chinese Nationalism in Cantonese Opera

2023-9-1

Performance of Ṭhumrī in Kathak Dance

2023-9-1

Modernist Visions Beyond the Horizon of History: The Theatricality of Bai Wei’s Rarely Staged Plays

2023-9-1

Contemporary Chinese Queer Performance by Hongwei Bao (review)

2023-9-1

Betsuyaku and the Comedy of Entropy

2023-9-1

Sapamochanam (The Curse Liberation), A Kathakali Play by Sadanam Harikumar

2023-9-1

The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo by M.W. Shores (review)

2023-9-1

From the Editor

2023-9-1

Betsuyaku Minoru: The Playwright Who Came Back to a Place He had Never Been to

2023-9-1

Chinese Adaptations of Brecht: Appropriation and Intertextuality by Wei Zhang

2023-3-1