Care at the centre of the post-pandemic sustainability of grassroots cultural centres and culture-led urban regeneration. A comparison of western and eastern perspectives

2024-9-10

New management approaches and sustainability: the case of the Museo del Traje in Madrid

2024-9-9

On the role of “tactile value” in cultural consumption: an empirical research in the live music industry

2024-8-7

Introduction

2024-8-5

The role of cultural organisations in matters of equity, diversity, and inclusion

2024-8-5

Creating growth: labour’s plan for the arts, culture and creative industries

2024-7-29

Fashion as Creative Economy <b> <i>Fashion as Creative Economy</i> </b> by Angela McRobbie, Daniel Strutt and Carolina Bandinelli, 2023, Cambridge, Polity Press, 224pp Hardback, GBP51.00 Paperback 24.00, ISBN: 978-1-509-55386-0

2024-7-25

Cultural value as meaning-making

2024-7-23

Museum educators’ views on digital museum education: opportunities and challenges

2024-7-16

Advancing a multi-actor model of artist-in-residence practice

2024-7-16

Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy <b>Cultural Leadership in Practice: Beyond Arts Management and Cultural Policy</b> , edited by Steven Hadley, London and New York, Routledge, 2024, 270 pp., £135.00 (hardback), ISBN: 9781032487731, £29.99 (paperback), ISBN: 9781032487724, £26.99 (ebook), ISBN: 9781003390725

2024-7-15

Get back: analysing the impact of the COVID-19 pandemic on the Lowlands festival

2024-7-10

The first national survey on cultural participation in Portugal: exploring social and professional backgrounds

2024-6-20

“Feeling things happen”: Evaluating the Playhouse Theatre and Peace-building Academy (2018–2020)

2024-6-14

Geopolitics of Digital HeritageGeopolitics of Digital Heritage, by Natalia Grincheva and Elizabeth Stainforth, Cambridge, Cambridge University Press, 2024, 94 pp., £17.00 (paperback), £49.99 (hardback), £17.00 (eBook), ISBN 978-1-009-18208-9

2024-6-13

Negotiating participation: investigation of an informal art and urban development initiative in Norway

2024-6-4

The benefits and attractiveness of local theatres. Comedy or Shakespeare – does it matter?

2024-6-4

Culture is not an industry: reclaiming art and culture for the common good <b>Culture is not an industry: reclaiming art and culture for the common good</b> , by Justin O'Connor, Manchester University Press, February 2024, 304 pp., £14.99 (paperback), ISBN: 978-1-5261-7126-9, University of Manchester Press (Manchester Capitalism Series)

2024-5-31

Promoting culture and creativity in Ghana: bottom-up strategies for creative industries development

2024-5-29

Gentrification and touristification in urban heritage preservation: threats and opportunities

2024-5-16

Towards monopolistic music promotion: an analysis of North American concert tours

2024-5-15

Public libraries as social infrastructures: libraries’ response to the COVID crisis in the Emilia-Romagna region

2024-5-8

Towards a paradigm for online heritage: cyber communities and digital educommunication

2024-4-30

Long COVID for the craft industry: findings from China's “Porcelain Capital” pre and post COVID

2024-4-30

Cultural branding of cities: the role of live music in building a city’s brand

2024-4-30

Performing the self in contemporary rural China: voice from a villager

2024-4-28

Suburban neighbourhoods as places for everyday cultural participation: the case of Jyväskylä in Finland

2024-4-26

Cakes and ale: the role of culture in the new municipalism

2024-4-25

Do not forget the state! The supposed state free self-regulatory system in post-war Japan

2024-4-25

<i>Avatar</i> is a “drama” and <i>Squid Game</i> is a “movie”: a new era of convergence

2024-3-12

Book Reviews <b>The moral foundations of public funding for the arts</b> , by Michael Rushton, Switzerland, Palgrave Macmillan, 2023, 185 pp., £109.99 (hbk), ISBN 978-3-031-35105-1 (hbk), 978-3-031-35106-8 (ebk) <b>Funding the arts: politics, economics and their interplay in public policy</b> , by Andrew Pinnock, London and New York, Routledge, 2024, 280 pp., £130 (hbk), £39.99 (pbk), £35.99 (ebk), ISBN 978-0-367-07663-4 (hbk), 978-0-367-07665-8 (pbk), 978-0-429-02194-7 (ebk)

2024-3-9

Conceptualizing Malaysian creative hubs: traversing normalcy to pandemicity and beyond

2024-3-7

Transnational cultural networks: soft mechanisms for cultural diversity and frictionless mobility

2024-2-26

Navigating creative partnerships and cross-cultural collaboration: a case study between China and the UK

2024-2-23

Model of cultural policy and the governance and management of cultural institutions: comparative analysis of three European opera houses

2024-2-23

People or place? Towards a system of holistic locational values for creative workers

2024-1-22

Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation

2023-12-21

Correction

2023-12-18

The four worlds of creative employees: the role of education level and job-education match

2023-12-5

Cultural mapping in smart sustainable cities: the Kashiwanoha Monogatari Project

2023-11-24

The UNESCO Underwater Cultural Heritage Convention in Asia: the case of the Macao Special Administrative Region of the People’s Republic of China

2023-11-3

Avant-garde or democracy? Transformations and Dilemmas of the U.S. public art programme in the 1970s

2023-11-1

Beyond reconciliation, towards regeneration: social circus in Northern Ireland

2023-10-19

Cultural analytics in the UK: events data potential for the creative and cultural industries

2023-10-6

Building mutual rewarding sponsor relationships between museums and corporations

2023-9-15

Making it big in live music: a multilevel analysis of careers in live music

2023-9-15

Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry

2023-9-11

Dynamics of cultural policy valuations in contemporary Europe

2023-9-11

Cultural “levelling up” through the music corporation? The case of EMI North

2023-9-1

Deepening precarity – the impact of COVID-19 on freelancers in the UK television industry

2023-8-18