Aligning the Vibrations: Resounding Matters

2023-1-1

Creating a Tool to Explore Intergenerational Understandings Through the use of Virtual Reality in Malaysia

2023-1-1

Google Earth Augments Viewing the Spectacle of Ruin in Selected ‘In-Between Places’ of Old Industrial Johannesburg

2023-1-1

Editorial: 'inter-'

2023-1-1

Striking (Up) Interspecies Collaborations with Crows and Falcons

2023-1-1

Whakamana Te Tuakiri o Ngā Wāhine Māori I Te Ao Whutuporo - Flourishing Wāhine Māori Identities in Rugby: A Literature Review

2023-1-1

Aboriginal Language Revival: The Intersectionality of Language Practices

2023-1-1

Examining the Intersection of Cultural Identities: The Malaysian Chinese Experience

2023-1-1

The Soul of The Masks: A Journey Through Mah Meri Indigenous Carvings

2022-1-1

Navigating Knowledge Frameworks at the Intercultural Interface

2022-1-1

Multi-Histories: Creative and Narrative Plurality in Graphic Novels Exploring Indigenous Histories

2022-1-1

Between Democracy and Technocracy: Ecology as Multidisciplinary Science in the Transpacific Cold War

2022-1-1

Portals, Parallel Realities and Transdisciplinary Place Practice

2022-1-1

Attentive and Appreciative: Designers Connecting with More-Than-Human Beings

2022-1-1

Live Performance as a Multiverse: From the Present Moment to the Transverse Effect

2022-1-1

Different Light Theatre: Multimodal Practices in Learning-Disabled Theatre

2022-1-1

Transdisciplinarity in the Dunedin Art+Science Project

2022-1-1

Negotiating Different Worlds and Diverse Cultural Legacies Through Applied Creative Practice in a Situated Learning Project: Hlakanyana 2022

2022-1-1

Editorial: 'multi-'

2022-1-1

“I Contain Multi-Tudes” – A Meditation on the Need for Rough and Rowdy Ways

2022-1-1

Junctures: The Journal for Thematic Dialogue

2019-4-16

Acidic Oceans: How Will Copepods Cope?

2018-12-3

How Tikanga Shapes Identity

2018-12-1

What Will Parents Pay for Hands-on Ocean Conservation and Stewardship Education?

2018-12-1

oceans

2018-12-1

Beauty is the Beast

2017-11-30

Genetics in Alzheimer's Disease

2017-11-30

ACCess mATTers — Trio

2017-11-30

A Delicate Balance: Conservation Genetics of Black Fronted Terns

2017-11-30

Above the Threshold

2017-11-30

Te purakau tutahi? (The whole story?)

2017-11-30

Art in the Contemporary Pacific

2016-12-7

Art, Science and the Viewing Public: Illuminating Observations from "Art and Light" Viewers

2016-2-24

Artfully Exploring Quantum Physics

2016-2-24

Light, Art and Science Meet in the Gallery

2016-2-24

'Memory and the Myth of Communication-"DataFlower for Dunedin" 1998-Adrian Hall in the Octagon.'

2012-12-1

Open Networks, Distributed Identities: Cory Doctorow and the Literature of Free Culture

2012-12-1

Colophon Junctures: The Journal for Thematic Dialogue Issue 15: Viral

2012-1-1

Illegal Art: Considering Our Culture Of Copying

2012-1-1

Memory is viral

2012-1-1

Open source publishing, ‘book sprints’ and possible futures

2012-1-1

Viral: distributed agencies and irreversible change

2012-1-1

Review - Virus.circus.probe. Performed by Micha Cárdenas and Elle Mehrmand at GUTTED. Los Angeles Contemporary Exhibition (LACE). Hollywood, CA. 19 January 2011

2012-1-1

Book Review: Racism, Colonialism, and Indigeneity in Canada: A Reader, Edited by Martin J. Cannon and Lina Sunseri. Toronto: Oxford University Press Canada, 2011

2012-1-1

Leibniz to Lakoff: Language as instrument for Peace

2011-7-1

Singing in the Wind: Beyond the Peace/War Dichotomy

2011-1-1

Review of Nina Katchadourian, "Seat Assignment" (Dunedin Public Art Gallery, 26 March-17 July, 2011)

2011-1-1

Editorial: Peace, Responsibility and the Other

2011-1-1