This journal publishes contributions describing recent scientific advances in the field of ethnography, folklore, and cultural and social anthropology. Emphasis is laid on subjects related to Hungarian ethnography and folklore as well as on works presenting Hungarian folklore in the context of Eastern European and Eurasian cultures. Publishes book reviews and advertisements.

The journal Acta Ethnographica Hungarica publishes contributions that describe recent scientific advances in the fields of ethnography, folklore, and cultural and social anthropology. It places particular emphasis on subjects related to Hungarian ethnography and folklore, as well as works that present Hungarian folklore in the context of Eastern European and Eurasian cultures. The journal also publishes book reviews and advertisements.

《Acta Ethnographica Hungarica》期刊致力于发表关于民族志、民俗学以及文化和社会人类学领域的最新科学研究成果。期刊特别关注与匈牙利民族志和民俗相关的主题，同时也接受展示匈牙利民俗在东欧和欧亚文化背景下的研究作品。此外，期刊还会刊登书评和广告。

Acta Ethnographica Hungarica

Abstract The making of heritage is a complex contemporary process that permeates society from the normative contexts of the global as well as national level to local communities. It enters extremely diverse sites, since it is part of both rural and urban life-worlds, and it is present in the institutional space of museums as well. Cultural elements that have been detached from their former contexts and made into heritage are no less diverse. The symbolic valorization of different historical periods depends on the regional and local contexts of heritage-making. The prestige (acceptance or rejection) and meanings of the legacy of certain periods, relationship to tradition, as well as the ways in which ‘authenticity’ is interpreted are products of a constant re-defining process steered by various social actors, such as members of local communities, cultural brokers, and experts. These positions often represent intertwining roles (researcher, expert, mediator, active or passive local actors) that are difficult to distinguish from one another in the various situations in which heritage-making can be researched empirically.

Ágnes Eitler

Bence Ament-Kovács

Discourses of Heritagization in East-Central Europe

中东欧地区的遗产化话语

Krisztina Frauhammer

Mohay, Tamás: A csíksomlyói kegyhely és búcsújárás. Diktatúra, rendszerváltás, modernizáció [The Csíksomlyó Pilgrimage. Dictatorship, Regime Change, and Modernization]

莫海, 塔马斯: 《Csíksomlyó朝圣地与朝圣活动。独裁、政权更迭与现代化》

Judit Gulyás

Voigt, Vilmos: Európai folklór. [European Folklore.]

Voigt, Vilmos: 欧洲民俗。[欧洲民俗。]

Abstract The study reviews the issue of child labor in Hungary with a historical, ethnographic approach, from the perspective of the division of labor within the family, the economic and social situation of the family. For several millenia, children have been involved in some activity within their family and kinship system, according to their age, gender, physical and mental maturity, and have been assigned increasingly complex tasks as part of the process of preparing for adult life and adulthood. When the economic and social unity of families was damaged for whatever reason, crises, poverty, and misery disrupted the natural family division of labor, and children had to seek and work for wages, food, or other benefits, with the approval or even encouragement of their parents. This means that they also played a significant role in families' struggles to survive and overcome poverty, while their exposure and vulnerability increased outside the family framework. The paper will explore the latter form of child labor outside the family.

Zita Deáky

Child Labor Outside the Family (From the End of the Nineteenth to the First Third of the Twentieth Century)

从19世纪末到20世纪初三分之一时期的家庭外童工

Abstract During an inevitable rural-to-urban conforming process, the Hungarian revival movement, known as táncházmozgalom, has left marks of change on the knowledge of tradition bearers, which is the very source and condition of its existence. The aim of preserving original cultural frames of music and dance in its new environment was obvious, and still active village musicians and dancers have been respected (or even idolized) as the protagonists of the movement from the onset. Still, their original social roles as well as the status and function of their knowledge have been misinterpreted in multiple cases. Despite deliberate attempts to maintain authenticity, the result is a brand-new milieu with new musical phenomena, differing greatly from the original forms of musical tradition. The case study presented here concerns one of the last living Hungarian peasant musicians, András Hodorog. He and his unique technique of playing the furulya (flute) are highly regarded in the movement. After nearly two decades of recording, learning, and researching Hodorog's flute technique, comparatively monitoring changes in his instrumental style and repertoire, I have discovered that certain aspects of his musical profile would not have evolved without the impact and demands of the Hungarian revival movement.

Publication Information	Publisher: Akademiai Kiado，Publishing cycle: ，Journal Type: journal，Open Access Journals: No
Basic data	Year of publication: 2023，Proportion of original research papers: 0.00%，Self Citation Rate:N.A.， Gold OA Rate: 0.00%

Acta Ethnographica Hungarica

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Discourses of Heritagization in East-Central Europe

Mohay, Tamás: A csíksomlyói kegyhely és búcsújárás. Diktatúra, rendszerváltás, modernizáció [The Csíksomlyó Pilgrimage. Dictatorship, Regime Change, and Modernization]

Voigt, Vilmos: Európai folklór. [European Folklore.]

Child Labor Outside the Family (From the End of the Nineteenth to the First Third of the Twentieth Century)

From the Village to the Táncház: The Revival Metamorphosis of a Peasant Flute Player

Discourses of Heritagization in East-Central Europe

Mohay, Tamás: A csíksomlyói kegyhely és búcsújárás. Diktatúra, rendszerváltás, modernizáció [The Csíksomlyó Pilgrimage. Dictatorship, Regime Change, and Modernization]

Voigt, Vilmos: Európai folklór. [European Folklore.]

Child Labor Outside the Family (From the End of the Nineteenth to the First Third of the Twentieth Century)

From the Village to the Táncház: The Revival Metamorphosis of a Peasant Flute Player

ISSN	1216-9803, 1588-2586
h-index	9