This journal publishes contributions describing recent scientific advances in the field of ethnography, folklore, and cultural and social anthropology. Emphasis is laid on subjects related to Hungarian ethnography and folklore as well as on works presenting Hungarian folklore in the context of Eastern European and Eurasian cultures. Publishes book reviews and advertisements.

The journal Acta Ethnographica Hungarica publishes contributions that describe recent scientific advances in the fields of ethnography, folklore, and cultural and social anthropology. It places particular emphasis on subjects related to Hungarian ethnography and folklore, as well as works that present Hungarian folklore in the context of Eastern European and Eurasian cultures. The journal also publishes book reviews and advertisements.

《Acta Ethnographica Hungarica》期刊致力于发表关于民族志、民俗学以及文化和社会人类学领域的最新科学研究成果。期刊特别关注与匈牙利民族志和民俗相关的主题，同时也接受展示匈牙利民俗在东欧和欧亚文化背景下的研究作品。此外，期刊还会刊登书评和广告。

Acta Ethnographica Hungarica

Abstract During an inevitable rural-to-urban conforming process, the Hungarian revival movement, known as táncházmozgalom, has left marks of change on the knowledge of tradition bearers, which is the very source and condition of its existence. The aim of preserving original cultural frames of music and dance in its new environment was obvious, and still active village musicians and dancers have been respected (or even idolized) as the protagonists of the movement from the onset. Still, their original social roles as well as the status and function of their knowledge have been misinterpreted in multiple cases. Despite deliberate attempts to maintain authenticity, the result is a brand-new milieu with new musical phenomena, differing greatly from the original forms of musical tradition. The case study presented here concerns one of the last living Hungarian peasant musicians, András Hodorog. He and his unique technique of playing the furulya (flute) are highly regarded in the movement. After nearly two decades of recording, learning, and researching Hodorog's flute technique, comparatively monitoring changes in his instrumental style and repertoire, I have discovered that certain aspects of his musical profile would not have evolved without the impact and demands of the Hungarian revival movement.

Soma Salamon

From the Village to the Táncház: The Revival Metamorphosis of a Peasant Flute Player

从乡村到坦恰兹：一位农民笛手的复兴蜕变

Abstract The term “Burgenland Croats (Gradišćanskih Hrvati)” was coined by vicar, poet and scholar Mate Mersich Miloradić in 1921, after the majority of Western Hungary's Croatian population became annexed to Austria. By the interwar period an extended use of the term became the norm – it had come to refer to all Croatians living in the remaining areas of the Croatian diaspora, such as Western Hungary, Western Slovakia and Moravia, who had settled in these parts after fleeing the ravages of the anti-Ottoman wars of the 16th century. Worries about the mere existence and survival of the identity of the Burgenland Croat population has been a concern for well over two hundred years. It is fair to ask the question what kind of traditions the collector can expect to find and whether traditions are still in a collectable state in the 21st century, as we approach the 500th anniversary of the re-settlement of this population in Western Hungary. In the present paper I take the example of a specific custom, the Barbara procession of Horvátkimle, to show what it means for a community if one of their practices comes to be included on the ethnographic map of the country. We explore what sort of chances a community has to revive traditions that it had believed to be lost time and time again, and how it affects the life of the community if it succeeds in breathing new life into old traditions by accepting and adapting to the spirit of the times. The paper focuses not on the vanishing traditions, but on resilient tradition constructs that have proved flexible enough to survive. It concentrates not on the signs of the disappearance and assimilation of an ethnic community, but on the scenes and means of preserving such identity. I shed light on the role of individuals and of ethnographic scholarship in the process of preserving traditions.

Szabina Bognár

The Barbara Procession Among Burgenland Croats in Horvátkimle in the 20th and 21st Centuries

20世纪和21世纪布尔根兰克罗地亚人在霍尔瓦特基姆莱的芭芭拉游行

Abstract Central and Eastern European countries generally view their socialist heritage as an unwanted, unpleasant burden. The new identity-building processes after the regime change were initially dominated by efforts to rewrite, suppress, or erase the socialist past, while for Western tourists the consumption of key attractions and sites of the built heritage represents a particular form of heritage tourism through which they can experience a slice of an “exotic” past beyond the Iron Curtain. At the national and local levels, there is a vast dissonance between the material heritage of socialism and the identity and aspirations of post-socialist communities, which is even more evident in the case of newly-built, former socialist towns. Through the example of Tiszaújváros and Dunaújváros, my study primarily examines the institutional strategies chosen by these towns to address their socialist heritage. What principles prevailed in the compilation of the local collection of values? What kind of representation of the past do local museums offer, what role does the ethnographic heritage of the annexed villages play in museum presentation and collection, and how are local/regional traditions integrated into the town's image? Finally, through a specific community of memory, a Facebook page, I examine how the recent past appears in individual and collective – often nostalgic – memory, what values the community associates with the town, and how all these relate to the heritagization practices of the local elite.

Ágota Lídia Ispán

Heritage Making in Former Socialist Towns in Hungary

匈牙利前社会主义城镇的遗产塑造

Éva Mikos

Varga, Sándor: Változások egy mezőségi falu tradicionális tánckultúrájában [Changes in the Traditional Dance Culture of a Village on the Transylvanian Plain]

瓦尔加, 桑多尔: 特兰西瓦尼亚平原上一个村庄传统舞蹈文化的变迁

Abstract Today, resilience can be regarded as an attribute of complex (spatial) systems. However, the extent to which this concept can be applied in practice remains the subject of debate. Can we, for instance, speak in general terms about the social resilience of a region, when the effectiveness of adaptation and the parameters of its functioning are subject to significant fluctuations in space and time, and when the diverse social, economic, and political conditions that prevail in different localities may necessitate the implementation of different adaptation strategies? Can the social resilience of individual groups be equated with the successful adaptation of an entire settlement? To understand change at a regional level, it is apparently not enough to start from present-day social processes; we must also examine the holistic picture on a historical scale, which makes defining the process of resilience in temporal terms a challenging task. In my study, I seek to respond to these questions and specificities by examining the issue of social resilience at a regional level, focusing on settlements close to the Ártánd border crossing point in the historical Bihar region, the center of which is the formerly Hungarian city of Nagyvárad, now Oradea, Romania. I argue that the crisis of the demarcation of the Trianon borders was attenuated by the reassessment of the role of borders following European Union accession. However, in terms of individual settlements, we can also talk about the success, or possibly failure, of specific, constantly changing, alternating, or simultaneous adaptation strategies.

涉及主题	历史社会学哲学地理艺术政治学考古法学人类学语言学计算机科学物理文学类生物神学经济美学政治视觉艺术
出版信息	出版商: Akademiai Kiado，出版周期: ，期刊类型: journal，开源期刊: 否
基本数据	创刊年份: 2023，原创研究文献占比: 0.00%，自引率:N.A.， Gold OA占比: 0.00%

Acta Ethnographica Hungarica

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From the Village to the Táncház: The Revival Metamorphosis of a Peasant Flute Player

The Barbara Procession Among Burgenland Croats in Horvátkimle in the 20th and 21st Centuries

Heritage Making in Former Socialist Towns in Hungary

Varga, Sándor: Változások egy mezőségi falu tradicionális tánckultúrájában [Changes in the Traditional Dance Culture of a Village on the Transylvanian Plain]

An Interpretation of Social Resilience at the Spatial Level across the Hungarian-Romanian Border

From the Village to the Táncház: The Revival Metamorphosis of a Peasant Flute Player

The Barbara Procession Among Burgenland Croats in Horvátkimle in the 20th and 21st Centuries

Heritage Making in Former Socialist Towns in Hungary

Varga, Sándor: Változások egy mezőségi falu tradicionális tánckultúrájában [Changes in the Traditional Dance Culture of a Village on the Transylvanian Plain]

An Interpretation of Social Resilience at the Spatial Level across the Hungarian-Romanian Border

ISSN	1216-9803, 1588-2586
h-index	9