Sculpture Journal

短名Sculpture Journal
Journal Impact0.14
期刊索引中科院 3 区
ISSN1366-2724, 1756-9923
h-index6
国内分区艺术学(3区)艺术学艺术(4区)
涉及主题艺术视觉艺术历史艺术史地理考古雕塑哲学法学政治学计算机科学
出版信息出版商: Liverpool University Press出版周期: 期刊类型: journal
基本数据创刊年份: 2002原创研究文献占比100.00%自引率:66.70%Gold OA占比: 0.00%

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最新文章

Contributors

2024-9-5

Sculptural friends and relations and their marble surfaces: Roubiliac’s busts of Henry, 9th Earl of Pembroke, and his other busts at Wilton House

2024-9-5

Artist-led section: Sentences of string

2024-9-5

Editorial

2024-9-5

Relief in the round: terracotta classicism and the Homeric friezes of Ickworth House

2024-9-5

The beginnings of cartapesta and papier mâché: material choices, recipes and makers in Italy and Germany

2024-9-5

Reviews

2024-9-5

Jonathan Black MA PhD FRSA FRHistS, 1966–2023

2024-9-5

Incursions, incisions, omissions: liberal imperialism, violence and British Southeast Asia in Francis Leggatt Chantrey, Major General Robert Rollo Gillespie, and Joseph Edgar Boehm, Richard Southwell Bourke, sixth earl of Mayo

2024-6-1

The Great Game? Anglo-Afghan monuments in St Paul’s Cathedral, c. 1816–1916

2024-6-1

Imperial Canada as a training ground for empire

2024-6-1

Violence into virtue: ‘liberal empire’ and Victorian statuary in St Paul’s Cathedral

2024-6-1

The special correspondents’ monuments: Melton Prior, imperial memory and the Victorian press in the shadow of the South African War, 1899–1901

2024-6-1

Resurrecting the imperial body: monuments and Anglo-American military violence in St Paul’s Cathedral

2024-6-1

Monuments to ‘settlement’: Australia in St Paul’s Cathedral, 1888–1913

2024-6-1

Looking south: making monuments to the British Antarctic Expedition

2024-6-1

Contributors

2024-6-1

(Un)forgotten: in the shadow of the Great Game, or East Asia in trans-imperial contexts

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‘Weighted with the Past’: commemorating New Zealand – Edward Onslow Ford’s memorial to Sir George Grey

2024-6-1

Colonial careerists in Central Africa, 1888–1913: a survey of monuments in St Paul’s Cathedral

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Soiled bodies: unearthing the colonial Caribbean in the memorials of Ralph Abercromby, John Moore and Thomas Picton, c. 1803–1816

2024-6-1

The parish church of empire: sculpture and imperialism at St Paul’s Cathedral, c. 1796–1916

2024-6-1

Deluge and fertility: early monuments to administrators of British India in St Paul’s Cathedral, 1804–1835

2024-6-1

Visualizing North Africa in Barkentin & Krall’s monument to James Augustus Grant

2024-6-1

Reviews

2024-3-1

Elasticity in twentieth-century sculpture

2024-3-1

‘Anybody can do sculpture, it is purely mechanical’: Harriet G. Hosmer and the relation between sculpture, reproduction and machine invention

2024-3-1

Imagining women working stone: the ancient sculptor Marcia in Boccaccio’s <i>De mulieribus</i> and responses in fifteenth- and sixteenth-century art literature

2024-3-1

Introduction: Tender hands and rough stone: sculpture’s stereotypes of gender and making

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‘Death, like a sculptor’: archaeology, materials and text in Harriet Hosmer’s Pompeian Sentinel

2024-3-1

Contributors

2024-3-1

The art of stucco in southern Portugal: morphologies, value judgements and the prejudice of conservation

2023-12-1

‘Wider than the realm of England’: the Hosack family heritage, Atlantic slavery and casting Mary, Queen of Scots for the nation

2023-12-1

Valuing sculpture: art, craft and industry, 1660–1860

2023-12-1

<i>The Young Naturalist</i> by Henry Weekes: intermediality, industry and international exhibitions

2023-12-1

Contributors

2023-12-1

Review

2023-12-1

‘Peculiarly fit for statues’: the contribution of Coade’s fired artificial stone to sculpture in the eighteenth century

2023-12-1

Fabricating enchantment: Antoine Benoist’s wax courtiers in Louis XIV’s Paris

2023-12-1

Valuing sculpture in the long eighteenth century: materials and technology

2023-12-1

Valuing ornament: Jean-Baptiste Plantar (1790–1879) between art, craft and industry

2023-12-1

Les <i>Feuilles d’automne</i> , or the peregrinations of a forgotten statue of Victor Hugo

2023-9-16

Plaster casts for originals: Franco-Ottoman diplomacy regarding the Winged Victory of Samothrace from 1863 to 1891

2023-9-16

Ancient sculpture, modern production: Coade Stone’s Britannia and River God

2023-9-16

Editorial

2023-9-16

Phyllida Barlow: a personal appreciation

2023-9-16

Reviews

2023-9-16

‘This sculptor is a cop’: John Reginald Abbott, murder in Montreal and the Royal Canadian Mounted Police’s criminal identification masks

2023-9-16

Contributors

2023-9-16

The bio-art history of care: mummy-sculptures of the Atacama desert

2023-6-27

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