Studies in Theatre and Performance

短名
Journal Impact0.13
期刊索引中科院 3 区
ISSN1468-2761, 2040-0616
h-index11
国内分区艺术学(3区)艺术学戏剧(3区)

期刊主页
涉及主题艺术视觉艺术社会学历史哲学文学类政治学美学艺术史法学心理学计算机科学表演艺术语言学生物认识论地理
出版信息出版商: Taylor and Francis Ltd.出版周期: 期刊类型: journal
基本数据创刊年份: 2000原创研究文献占比100.00%自引率:33.30%Gold OA占比: 25.00%

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最新文章

Meaningful agency in participatory performance: a contextual approach

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Editorial 44.2

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Irish rebellion <i>in-yer-face</i> or consigned to history: Seán O’Casey’s <i>The Plough and the Stars</i> in 2016

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‘Therapy with My Exotic Self’

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The body as territory: a movement perspective

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‘Me and the Sky’: smashing the glass ceiling in <i>Come from Away</i> , neoliberal feminism, and climate change

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Performance and race: teaching Shakespeare to Saudi students using current events and popular culture

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“The messenger has arrived”: the Angel of America as a prophet of intra-action on stage

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Reality theatre as a method for social science research: the Vietnamese diaspora in central europe

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Solidarity and cannibalism: anthropophagic actions as a devising process in contemporary dance training

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Self-authoring feminine Blackness through solo performance

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Decolonisation and solidarity roundtable discussion

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Collective resistance roundtable discussion

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Performance | Process | Politics

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Decolonisation and contemporary dance

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Sites of multiplicity: anarchiving, feminism, and performance

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Reclaiming the margins: collective resistance and feminist artistic practices in Putin’s Russia

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Dance teaching in HE: further thoughts on the possibilities of artistic citizenship for decolonial practice

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Choreographing immersion: encountering borders, difference, and power

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Hunkering down in the theatre of war: reflections on the interpersonal politics of collective resistance

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Physical solidarity as feeling the feeling

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Queer communities, friendship, and moments of joy and wonder in Andrew Logan’s <i>Alternative Miss World</i> competition

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The <i>cycleborg</i> : everyday performances of solidarity and hope of the cycling female

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Divorced, beheaded, defied: solidarity in individual and collective herstories in <i>SIX the Musical</i> (2017)

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If you call for papers, the papers call back at you: some thoughts on CfP and selection processes

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History plays in the twenty-first century: new tools for interpreting the contemporary performance of the past

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Scenographic ‘stuff’: attending to everyday objects in performance (and beyond)

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On being a body listening: vocal expression beyond words in Ant Hampton and Britt Hatzius’ <i>this is not my voice speaking</i> and nature theater of Oklahoma <i>life and times - episodes 3 &amp; 4</i>

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Performing memory and testimony after a national disaster: the <i>Sewol</i> mothers in <i>Talking about Her</i> (2016), <i>VEGA</i> (2016), and <i>His and Her Closet</i> (2016)

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Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s <i>Sleep No More</i>

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Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre

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Editorial 43.1

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A conversation about new directions in studies of modernity and theatre

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Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology

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Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor

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Making Sense: Part III

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The City (Revised)

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Composting Grief: Part I

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