South Asian Popular Culture
| 短名 | |
| Journal Impact | 0.43 |
| 国际分区 | CULTURAL STUDIES(Q4) |
| ISSN | 1474-6689, 1474-6697 |
| h-index | 18 |
| 涉及主题 | 社会学艺术政治学历史哲学法学计算机科学文学类语言学视觉艺术美学地理性别研究媒体研究艺术史政治心理学考古电影院物理生物神学人工智能经济 |
| 出版信息 | 出版商: Routledge，出版周期: ，期刊类型: journal |
| 基本数据 | 创刊年份: 2003，原创研究文献占比: 100.00%，自引率:0.00%， Gold OA占比: 9.46% |
期刊引文格式
这些示例是对学术期刊文章的引用，以及它们应该如何出现在您的参考文献中。
并非所有期刊都按卷和期组织其已发表的文章，因此这些字段是可选的。有些电子期刊不提供页面范围，而是列出文章标识符。在这种情况下，使用文章标识符而不是页面范围是安全的。
只有1位作者的期刊
有2位作者的期刊
有3位作者的期刊
有5位以上作者的期刊
书籍引用格式
以下是创作和编辑的书籍的参考文献的示例。
学位论文引用格式
网页引用格式
这些示例是对网页的引用，以及它们应该如何出现在您的参考文献中。
专利引用格式
最新文章
<i>Shammi hero a da hero</i> : Construction of masculinity in recent Malayalam cinema
2024-1-2
Speculative India: In conversation with Lavanya Lakshminarayan, author of <i>Analog/Virtual</i> (Hachette India, 2020) published as <i>The Ten Percent Thief</i> (Solaris USA/UK, 2023)
2024-1-2
<i>Kaala</i> , a counter-narrative to Hindutva from an Ambedkarite perspective
2024-1-2
Screening trauma and violence: Representation of insurgency in select films from Assam
2024-1-2
Otherized food, racialized bodies: Discourses of food, smell and racism in Nicholas Kharkongor’s <i>Axone</i>
2024-1-2
Identity in corporeality: Interplay of disability and masculinity in Sanjay Leela Bhansali’s <i>Guzaarish</i> (2010) and Anurag Basu’s <i>Barfi!</i> (2012)
2024-1-2
Local water bodies and the threat of Slow Violence in Subhash Vyam’s <i>Water</i>
2024-1-2
Drawing the lines: Studying the <i>Common Man caricatures</i> by R.K. Laxman to understand dominant political discourse around legitimate political contestations in postcolonial India
2024-1-2
Bollywoodizing Netflix or globalizing Hotstar? The cultural-industrial logics of global streaming platforms in India
2023-11-6
Digital expression from the shadow states: The <i>in-betweeners</i> in the late-capitalist era
2023-9-2
Introduction
2023-9-2
Sensory infrastructures of 21st century Delhi: Urban vistas, digital memories and aesthetic imaginaries of a postcolonial media-city
2023-9-2
The women of Miranda House: Building archival collections, digital humanities and feminist digital history
2023-9-2
The constituency of Digital Humanities in India
2023-9-2
The rise of streaming culture: SVOD media and the digital revolution in India
2023-9-2
“Why do Indians cry passionately on Insta?”: Grief performativity and ecologies of commerce of crying videos
2023-5-29
Between ‘Cheeni’ and ‘Nupi Maanbi’: Transgender politics in Manipur at the intersection of nation and Indigeneity
2023-5-4
Queer Politics in Times of New Authoritarianisms
2023-5-4
“Attempting to commit offences”: Protectionism, surveillance and moral policing of queer women in Sri Lanka
2023-5-4
Mirrors and murals: Reflections on embodied and state violence
2023-5-4
Between the sheets: The queer sociality of Bombay zines
2023-5-4
Instagram representation of trans and hijra identities in Bangladesh
2023-5-4
Contesting the mainstream transwoman figurations: The question of caste and precarity in <i>Udalaazham</i>
2023-5-4
“It’s illegal but it’s not, like, <i>really</i> illegal”: Sri Lanka’s ‘sodomy laws’, the politics of equivocation, and queer men’s sexual citizenship in <i>The One Who Loves You So</i>
2023-5-4
Outside the imagined community: Pashtun subjects in contemporary Pakistani cinema
2023-1-2
A superhero in Indian style and culture: <i>Minnal Murali</i> goes global
2023-1-2
Negotiations within a cultural phenomenon: Sidhu Moose Wala and a changing Punjab
2023-1-2
Rebellion from Outside the Margins: Representation of de-notified tribe and Questions of Identity in <i>Fandry</i> (2013)
2023-1-2
The biopolitics of transnational commercial gestational surrogacy in <i>Mimi</i> (2021)
2023-1-2
The mediated life of (Ajit) Pai: Disciplining ‘model minorities’ in neoliberal times
2023-1-2
Negotiating the exigencies of nationalism: Tipu Sultan in Pakistani cinema
2022-10-31
<i>Shero</i> worship: Female stardom in Tamil cinema
2022-10-14
Collective sounds: Pa. Ranjith’s cinema, <i>Gaana</i>, and fusion music
2022-9-5
Familial unfamiliarity: Reading family spaces in New Generation Malayalam cinema
2022-9-2
A case of Holy cow: religion, politics and culture in assamese feature film <i>Goru</i>
2022-8-29
Sex and sensibility: The homographic stardom of Ranveer Singh
2022-8-26
Traversing boundaries: Contemporary Hindi cinema at international film festivals
2022-8-25
Reframing female bodies in Sri Lankan cinema: <i>28</i> and <i>Asandhimitta</i> revisited
2022-8-25
Food for thought: India, postage stamps and banal nationalism
2022-8-25
Real life fiction: genre and truth claims in popular call centre narratives
2022-8-25
The new ‘new liberal Indian woman’: The glocalization of chick lit
2022-5-4
Aunties are voices from the sky: Re-imagining resistance in bollywood
2022-5-4
Satyajit Ray, New Cinema, and the FFC/NFDC
2022-5-4
<i>Landless</i> – Dir Randeep Maddoke (Dir. 2018, Punjabi with English subtitles)
2022-5-4
Fusion music and fault lines in Shoaib Mansoor’s <i>Khuda Kay Liye</i>
2022-5-4
Pious, populist, political masculinities in Pakistan and India
2022-5-4
Fantasy, film song, and ‘non-resident media’: <i>Dil Se’s</i> afterlife
2022-5-4
Between popular and populist: Reading the shift of mobile theatre repertoire
2022-5-4
Problematizing the binaries: A study on food symbolism in Bhaskar Hazarika’s <i>Aamis</i>
2022-5-4
From global to neo-global: Mapping the ‘tele’-visual geography of South Asia through a transnational lens
2022-5-4
帮你贴心管理全部的文献
研飞ivySCI，高效的论文管理
投稿经验分享
分享我的经验，帮你走得更远