Grey Room
| 短名 | Grey Room |
| Journal Impact | 0.36 |
| 期刊索引 | 中科院 4 区 |
| ISSN | 1526-3819, 1536-0105 |
| h-index | 20 |
| 国内分区 | 社会学(4区)社会学人文科学(3区) |
Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns. Publishing some of the most interesting and original work within these disciplines, Grey Room has positioned itself at the forefront of current aesthetic and critical debates. Featuring original articles, translations, interviews, dossiers, and academic exchanges, Grey Room emphasizes aesthetic practice and historical and theoretical discourse that appeals to a wide range of readers, including architects, artists, scholars, students, and critics.
期刊主页| 涉及主题 | 艺术历史哲学政治学心理学计算机科学地理 |
| 出版信息 | 出版商: MIT Press Journals，出版周期: ，期刊类型: journal |
| 基本数据 | 创刊年份: 2002，原创研究文献占比: 100.00%，自引率:33.30%， Gold OA占比: 0.00% |
期刊引文格式
这些示例是对学术期刊文章的引用，以及它们应该如何出现在您的参考文献中。
并非所有期刊都按卷和期组织其已发表的文章，因此这些字段是可选的。有些电子期刊不提供页面范围，而是列出文章标识符。在这种情况下，使用文章标识符而不是页面范围是安全的。
只有1位作者的期刊
有2位作者的期刊
有3位作者的期刊
有5位以上作者的期刊
书籍引用格式
以下是创作和编辑的书籍的参考文献的示例。
学位论文引用格式
网页引用格式
这些示例是对网页的引用，以及它们应该如何出现在您的参考文献中。
专利引用格式
最新文章
Inaugural Medical Disputation on Burning Fever
2024-1-1
Nicholas Barbon's De febre ardente: Medico-philosophical Grounds of Fire Insurance?
2024-1-1
Geo-psychiatry: Media and the Ecologies of Madness
2024-1-1
On Environmentalities
2024-1-1
Nation Building in the Philippines and the Racial Ordering of International Architecture
2024-1-1
An Introduction to Cultural Heritage Law
2024-1-1
The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's <i>Bar at the Folies-Bergère</i>
2024-1-1
Roundtable on <i>Warhol v. Goldsmith</i>: An Introduction to <i>Warhol v. Goldsmith</i>
2024-1-1
The Work of Copyright Law in the Age of Generative AI
2024-1-1
Manual Operations: Joan Lyons's Haloid Xerox Works and Feminized Labor
2024-1-1
Contributors
2024-1-1
Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early “Natural” Color Film and Photography
2024-1-1
Contributors
2024-1-1
In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976–77)
2024-1-1
Anthony Vidler and the Occasional Writing of Architectural Theory
2024-1-1
Moral Rights: The Anti-copyright
2024-1-1
Editors' Introduction: Art beyond Copyright
2024-1-1
Contributors
2024-1-1
Order for Profit: On the Architecture of a Nineteenth-Century French Agency
2024-1-1
Anthony Vidler, “All My Work Is Accidental”
2024-1-1
Out of Reach: Photographs of Child Nudists
2024-1-1
“What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law
2024-1-1
The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art
2024-1-1
Trademark Law and the Contingent Art Object
2024-1-1
The Absent Prince: Reflections on Personality Rights and <i>Andy Warhol Foundation v. Goldsmith</i>
2024-1-1
Contractual Practices
2024-1-1
Uneven Environmentality: The Discordance of Cybernetic Control at the Centro de Arte y Comunicación, 1971-1973
2024-1-1
Artificial Worlds and Perceptronic Objects: The CIA's Mid-century Automatic Target Recognition
2024-1-1
Figures of Closure: Circles and Cycles in the History of Ecological Knowledge
2024-1-1
Contributors
2024-1-1
Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia
2023-1-1
Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence
2023-1-1
Learning with Documenta 15: Principles, Practices, Problems
2023-1-1
Liquid History: Millbank, London and the Thames Flood of 1928
2023-1-1
Reflections on <i>Lumbung</i>, Storytelling, and Collective Learning
2023-1-1
Does Bolsonaro Have a Point? (Or Does He Have a Semicolon?)
2023-1-1
Political Constructivism
2023-1-1
On Documenta 15
2023-1-1
Contributors
2023-1-1
Piranesi Slices
2023-1-1
By Means of the Line: Meyer Schapiro and Drawing as an Epistemological Tool
2023-1-1
A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15
2023-1-1
Missed Encounters: Introduction to Documenta 15 Dossier
2023-1-1
A Black Carpet of Bitumen
2023-1-1
Contributors
2023-1-1
Rumor and Media: On Circulations and Credence (via Kant and Marx)
2023-1-1
Pearce v. OMA: Architectural Authorship on the Courtroom Table
2023-1-1
On Drawing from Memory and from Objects
2023-1-1
Contributors
2023-1-1
Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition
2023-1-1
帮你贴心管理全部的文献
研飞ivySCI，高效的论文管理
投稿经验分享
分享我的经验，帮你走得更远