Representing the past in the art of the long nineteenth century: historicism, postmodernism, and internationalism <b>Representing the past in the art of the long nineteenth century: historicism, postmodernism, and internationalism</b> , edited by Matthew C. Potter, Routledge, New York and Oxon, 2022, xviii + 280, 63 pp., b&amp;w illustrations, 9 color illustrations, $54.99 (paperback), $180.00 (hardback), ISBN: 978-1-0321-0588-8; ISBN: 978-1-1385-4435-2

2024-8-8

<b>Sound, image, silence: art and the aural imagination in the Atlantic world</b> <b>Sound, image, silence: art and the aural imagination in the Atlantic world</b> , by Michael Gaudio, Minneapolis, University of Minnesota Press, 2019, 224 pp., $30.00 USD (paperback), ISBN: 978-1517907396

2024-6-11

Was Sultan Abdülhamid II suspicious of the cinema? A study of cinema in the Hamidian era (1876–1908)

2024-6-10

Twelve Caesars: images of power from the ancient world to the modern <b>Twelve Caesars: images of power from the ancient world to the modern</b> , by Mary Beard, Princeton &amp; Oxford, Princeton University Press, 2021, xi + 396 pp., $24.95 (paperback), ISBN: 978-0-691-22587-6

2024-6-5

Designing Russian cinema: the production artist and the material environment in silent era film <b>Designing Russian cinema: the production artist and the material environment in silent era film</b> , by Eleanor Rees, London, UK, Bloomsbury Publishing, 2023, 256 pp., £59.50 (hardcover), ISBN 9781350246362

2024-3-14

Boarding house blues

2024-3-1

An archeological survey - the Norden collection at the cinema museum

2024-2-28

Silent film performance: dramatic bodies on screen <b>Silent film performance: dramatic bodies on screen</b> , by Elisabetta Girelli, Cham, Switzerland, Palgrave Pivot Series, Palgrave Macmillan, 2021, xii + 112 pp., £54.99 (hardback and paperback), ISBN 978-3-030-75102-9

2024-2-21

Discomfort food: the culinary imagination in late nineteenth-century French art <b>Discomfort food: the culinary imagination in late nineteenth-century French art</b> , by Marni Reva Kessler, Minneapolis, MN, and London, UK, University of Minnesota Press, 2021, xxv + 291 pp., 50 b&amp;w photos, 12 color plates, $30.00 (paperback), ISBN 978-1-5179-0880-5; $120.00 (cloth cover), ISBN 978-1-5179-0879-9

2024-2-13

Women at the wheel: female management and workforce at the nineteenth-century funfair

2024-1-28

‘Twelve thrills for the screen’ or a ‘ludicrous travesty’? Harry A. Berg’s Cosmopolitan Productions Limited and <i>Haunted Houses and Castles of Great Britain</i> (1926)

2024-1-2

Sound arrives at the Tudor, 1927-1931: programming, attendance and the business of cinema exhibition

2024-1-2

Early British animation and cartoonal ‘co-conspiracy’: the case of <i>Jerry the Troublesome Tyke</i> (1925-1927)

2024-1-2

Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik <i>The Land of Mystery</i> , 1914–1920

2024-1-2

The British Silent Film Festival and Symposium: an Overview

2024-1-2

Ink-Stained Hollywood: the Triumph of the American cinema’s trade press <b>Ink-Stained Hollywood: the Triumph of the American cinema’s trade press</b> , by Eric Hoyt, Oakland, CA, University of California Press, 2022, xvii + 248 pp., £30.00 (paperback), ISBN 9780520383692

2024-1-2

In Northcliffe Jail: Iris Barry, film journalist

2024-1-2

Transfixed by prehistory: an inquiry into modern art and time <b>Transfixed by prehistory: an inquiry into modern art and time</b> , by Maria Stavrinaki, New York City, Zone Books, 2022, 338 pp., $35.00 USD (hardcover), ISBN 9781942130659

2023-10-25

The art of picturing in early modern English literature <b>The art of picturing in early modern English literature</b> , edited by Camila Caporicci and Armelle Sabatiere, Abingdon, Routledge, 2021, 264 pp., $42.36 (paperback), ISBN 978-0-36742519-7

2023-9-4

Muybridge and mobility with an introduction <b>Muybridge and mobility with an introduction</b> by Anthony W. Lee, Berkeley, California, USA, Tim Cresswell, and John Ott, University of California Press, 2022, 138 pp., £85.00 (hardcover), ISBN 978-0-520-38242-8

2023-9-1

<i>Mozgó fényképek</i>. The scandal and debate around moving images in early Hungarian cinema

2023-8-15

The silent muse: the memoirs of Asta Nielsen <b>The silent muse: the memoirs of Asta Nielsen</b> , edited and translated by Julie K. Allen, foreword by Jennifer Bean, Rochester, NY, Camden House, 2022, 350 pp., £105.00 (hardcover), ISBN: 9781640141261

2023-8-1

Cut/copy/paste: fragments from the history of bookwork

2023-7-24

Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags <b>Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags</b> , by Josephine Botting, Edinburgh University Press, 2023, vii + 228 pp., £85.00 (hardcover), ISBN 978-1-3995-0135-4

2023-7-24

An amusing optical toy for the hands?: reassessing nineteenth-century British paper peepshows through embodied knowledge

2023-7-10

Speculative landscapes: American art and real estate in the nineteenth century <b>Speculative landscapes: American art and real estate in the nineteenth century</b> , by Ross Barrett, Oakland, University of California Press, 2022, 241 pp., $65.00 USD (hardback), ISBN 978-0-520-34391-7

2023-6-29

Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett <b>Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett</b> , by Victoria Duckett, Oakland, USA, University of California Press, 2023, 193 pp., £30.00 (paperback), Open Access, ISBN 9780520382114 https://doi.org/10.1525/luminos.157

2023-6-28

Shedding fresh light on lanterns

2023-6-15

MoMA goes to Paris in 1938: building and politicizing American Art

2023-6-8

Early cinema, modernity and visual culture: the imaginary of the Balkans

2023-5-5

The spectacle of the moon conquest: how visual culture shaped Méliès’ <i>Le voyage dans la Lune</i> and its anti-imperialist satire

2023-5-4

The early years of television and the BBC

2023-5-4

Between defiance and control: wild animal performance in the interwar circus

2023-4-30

Doing Experimental Media Archaeology: Theory

2023-4-3

‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York

2023-4-3

Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture

2023-4-3

Film exhibition for indigenous people in Soviet Siberia: ‘cinema-coming’ and political enlightenment in the red yurt

2023-4-3

White screens, Black fandom: silent film and African American spectatorship in Harlem

2023-4-3

Silent film era and marginalised spectatorship

2023-4-3

‘In the world of movies and talkies’: Hollywood in the Yiddish <i>Forverts</i>, 1920-1935

2023-4-3

Working on marginalised cinema audiences with the Jewish historical press website: illustrated on the quest for Jewish patrons of the palace venue in 1920s Warsaw

2023-4-3

The moving image as an instrument of oppression and resistance in Jim Crow Era Jacksonville, Florida, 1907–1917

2023-4-3

Mabel, Marilyn, and Me: writing about Mabel Normand as a feminist film historian

2023-1-2

Our Lady Cinema

2023-1-2

“Please the women or die”: silent cinema and the construction of female desire

2023-1-2

Antonia Dickson: The kineto-phonograph and the telephony of the future

2023-1-2

<i>Sapho Kiss</i>: Queer Reproduction in Early Cinema

2023-1-2

Contemplating imperialism: early film reenactments of the South African War

2022-12-19

The <i>Maréorama</i> in the 1900 Universal Exhibition: a simulated Mediterranean voyage from the banks of the Seine

2022-11-25

The visual culture of Meiji Japan: negotiating the transition to modernity

2022-11-23