Journal of Modern Craft
短名 | |
Journal Impact | 0.17 |
期刊索引 | 中科院 3 区 |
ISSN | 1749-6772, 1749-6780 |
h-index | 8 |
国内分区 | 艺术学(3区)艺术学艺术(3区) |
涉及主题 | 艺术视觉艺术历史地理考古工艺哲学艺术史政治学法学工程类美学社会学 |
出版信息 | 出版商: Taylor and Francis Ltd.,出版周期: ,期刊类型: journal |
基本数据 | 创刊年份: 2011,原创研究文献占比: 100.00%,自引率:N.A., Gold OA占比: 15.91% |
期刊引文格式
这些示例是对学术期刊文章的引用,以及它们应该如何出现在您的参考文献中。
并非所有期刊都按卷和期组织其已发表的文章,因此这些字段是可选的。有些电子期刊不提供页面范围,而是列出文章标识符。在这种情况下,使用文章标识符而不是页面范围是安全的。
只有1位作者的期刊
有2位作者的期刊
有3位作者的期刊
有5位以上作者的期刊
书籍引用格式
以下是创作和编辑的书籍的参考文献的示例。
学位论文引用格式
网页引用格式
这些示例是对网页的引用,以及它们应该如何出现在您的参考文献中。
专利引用格式
最新文章
Where Craft Starts
2024-1-2
On Dullness: A Sensory Portrait
2024-1-2
Material Agency and Mutual Transformation: Found Objects as Materials for Making
2024-1-2
Introduction
2024-1-2
Craft, Crises and Colonialism: Reimagining Puerto Rico
2024-1-2
Studio CeramicsAlun Graves, <i>Studio Ceramics</i> . London: Thames & Hudson/V&A Museum, 2023. 415pp, 918 illustrations. ISBN 9780500480892
2024-1-2
Darkhouse Lighthouse <b>Darkhouse Lighthouse</b> Troy Hill Art Houses. Pittsburgh, PA. Permanent installation
2024-1-2
Soil and Life in the Field of Craft Studies
2024-1-2
Craft on the Dirt Circuit: Commerce and Community at a Contemporary Renaissance Festival
2024-1-2
Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw <b>Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw</b> The New-York Historical Society, New York City, NY. January 27, 2023–May 28, 2023.
2024-1-2
Hear Me Now: The Black Potters of Old Edgefield, South CarolinaHear Me Now: The Black Potters of Old Edgefield, South CarolinaMetropolitan Museum of Art, New York City, NY, USA. September 9, 2022–February 5, 2023; Museum of Fine Arts Boston, Boston, MA, USA. March 4–July 9, 2023. Additional venues: University of Michigan Museum of Art, Ann Arbor, MI, USA; High Museum of Art, Atlanta, GA, USA. Exhibition catalogue: <i>Hear Me Now: The Black Potters of Old Edgefield, South Carolina</i> ed. …
2024-1-2
Commentary
2023-9-2
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer
2023-9-2
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich <i>Queer Threads</i>
2023-9-2
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen
2023-9-2
<i>Works in Thread</i> and the Emergence of Israeli Fiber Art
2023-9-2
Extracts from “A Civilization of Technics” (1945)
2023-9-2
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art <b>Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art</b> Julia Skelly, London: Bloomsbury, 2022, 224 pages, 8 colour and 24 b&w illustrations, $50.35 paperback, ISBN 9781350122970
2023-9-2
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project
2023-9-2
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 <i>Indisposable: Tactics for Care and Mourning</i>
2023-9-2
Editorial
2023-9-2
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita and Laura Vallés-Vílchez
2023-9-2
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation <b>Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation</b> Michele Avis Feder-Nadoff (ed.). Lanham, MD: Lexington Books, 2022, 330 pages, 29 b&w illustrations, hardcover. US $ 120.00 • UK £92.00. ISBN: 9781793639974
2023-9-2
Conversing in Clay: Ceramics from the LACMA Collection
2023-1-2
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die
2023-1-2
Black Clay: Black Women, Ceramics and Contemporary Art
2023-1-2
Lost Weavings of Atlanta: A Report
2023-1-2
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin
2023-1-2
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–1950
2023-1-2
Commentary
2023-1-2
Traditional Women’s Arts (1978)
2023-1-2
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–1945
2023-1-2
Editorial
2023-1-2
Strange Clay: Ceramics in Contemporary Art
2023-1-2
Ceramics in the Expanded Field
2023-1-2
“Weaving Workshop Proposal,” c.1986
2022-9-2
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery
2022-9-2
Body Vessel Clay: Black Women, Ceramics & Contemporary Art
2022-9-2
Faith Ringgold: American People
2022-9-2
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s
2022-9-2
Making Trouble: Design and Material Activism
2022-9-2
Selling Italy: Craft and Italianness in <i>Italy at Work: Her Renaissance in Design Today</i> (1950–53)
2022-9-2
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana
2022-9-2
Theaster Gates: A Clay Sermon
2022-9-2
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition
2022-9-2
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions
2022-9-2
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay
2022-9-2
So Far and Yet So Near: The Artistic Residencies of <i>Contextile</i> Biennale Amidst a Pandemic
2022-5-4
The Exhibition as Critical Craft Practice: London’s Little Gallery in 1939
2022-5-4
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)
2022-5-4
帮你贴心管理全部的文献
研飞ivySCI,高效的论文管理
投稿经验分享
分享我的经验,帮你走得更远