Niobe’s Loss: A Warning on Sixteenth-Century <i>Cassoni</i>

2024-3-1

:<i>The Jacobite Duchess: Frances Jennings, Duchess of Tyrconnell, c. 1649–1731</i>

2024-3-1

:<i>Women Artists, Their Patrons, and Their Publics in Early Modern Bologna</i>

2024-3-1

:<i>Cognition and Girlhood in Shakespeare’s World: Rethinking Female Adolescence</i>

2024-3-1

:<i>Marriage, Separation, and Divorce in England, 1500–1700</i>

2024-3-1

:<i>Society Women and Enlightened Charity in Spain: The Junta de Damas de Honor y Mérito, 1787–1823</i>

2024-3-1

:<i>Michaelina Wautier and “The Five Senses”: Innovation in 17th-Century Flemish Painting</i>

2024-3-1

:<i>Aemilia Lanyer as Shakespeare’s Co-author</i>

2024-3-1

A Conjunction of Stars and a Nun’s Horoscope: Sor Francisca de Santa Teresa’s “Coloquio para representar en la profesión de Sor Ángela María de San José”

2024-3-1

Toward a History of Aging in Early Modern China: Representations of Multiethnic Women

2024-3-1

Contributors’ Notes

2024-3-1

:<i>Household Goods and Good Households in Late Medieval London: Consumption and Domesticity after the Plague</i>

2024-3-1

The Exigencies of Disillusionment in Madame de Maintenon’s Pedagogical Drama

2024-3-1

:<i>Catherine of Aragon: Infanta of Spain, Queen of England</i>

2024-3-1

In Memoriam: Natalie Zemon Davis

2024-3-1

:<i>Maria Theresa: The Habsburg Empress in Her Time</i>

2024-3-1

Approaching Gender and Race in Colonial Latin American Art

2024-3-1

Front Cover

2024-3-1

:<i>Embodiment, Identity, and Gender in the Early Modern Age</i>

2024-3-1

:<i>The Convent of Pleasure</i>

2024-3-1

:<i>Selected Letters, 1523–1546: A Bilingual Edition</i>

2024-3-1

:<i>Women Writers: Intertextual Networks</i>

2024-3-1

:<i>Eleonora di Toledo e l’invenzione della corte dei Medici a Firenze</i>

2024-3-1

:<i>Poems of Widowhood: A Bilingual Edition of the 1538 “Rime.”</i>

2024-3-1

Introduction

2024-3-1

:<i>Éloges collectifs de femmes à la Renaissance française</i>

2024-3-1

:<i>Cacicas: The Indigenous Women Leaders of Spanish America</i>

2024-3-1

:<i>Princess Mary and Elizabeth Tudor and the Gift Book Exchange</i>

2024-3-1

:<i>A Warning for Fair Women: Adultery and Murder in Shakespeare’s Theatre</i>

2024-3-1

Front Matter

2024-3-1

:<i>“We are All Servants”: The Diversity of Service in Premodern Europe (1000–1700)</i>

2023-9-1

Introduction

2023-9-1

:<i>Stranger in the Shogun’s City: A Japanese Woman and Her World</i>

2023-9-1

:<i>Women Artists in the Early Modern Courts of Europe (c. 1450–1700)</i>

2023-9-1

Contributors’ Notes

2023-9-1

:<i>Women Healers: Gender, Authority, and Medicine in Early Philadelphia</i>

2023-9-1

Front Cover

2023-9-1

:<i>The Basque Seroras: Local Religion, Gender, and Power in Northern Iberia, 1550–1800</i>

2023-9-1

:<i>Mujer y sociedad en la literatura del Siglo de Oro</i>

2023-9-1

:<i>Christine de Pizan: Book of the Body Politic</i>

2023-9-1

:<i>Women and Geography on the Early Modern English Stage</i>

2023-9-1

To “fix and regulate your love”: The Manuscript Poetry of Dorothy Calthorpe (1648–1693)

2023-9-1

:<i>Gender and Voice in Medieval French Literature and Song</i>

2023-9-1

:<i>Elizabeth Stuart, Queen of Hearts</i>

2023-9-1

:<i>Mary Prince, Slavery, and Print Culture in the Anglophone Atlantic World</i>

2023-9-1

:<i>Health and Healing in the Early Modern Iberian World: A Gendered Perspective</i>

2023-9-1

:<i>Litigating Women: Gender and Justice in Europe, c. 1300–c. 1800</i>

2023-9-1

:<i>Exchanging Words: Women and Letters in Seventeenth-Century Dutch Genre Painting</i>

2023-9-1

:<i>The Passion of Anne Hutchinson: An Extraordinary Woman, the Puritan Patriarchs, and the World They Made and Lost</i>

2023-9-1

“Contrary to Reason”: The Absence of Enclosure in Early Modern Convents

2023-9-1