The toxic museum: Berlin and beyond <b>The toxic museum: Berlin and beyond</b> , by Helene Tello, Abingdon, Routledge, 2024, 263 pp., £108.00(hardback), ISBN 978-1-032-52634-8; ISBN 978-1-003-40760-7

2024-7-1

Harmful arrangements: Ethnography at the National Institute and racial violence in Washington, D.C., 1842–1864

2024-3-18

Civic art galleries and interwar exhibition cultures in Britain

2024-2-7

Money matters: ‘following the money’ to reconstruct Walter Rothschild’s ‘zoological enterprise’ and the history of the Zoological Museum Tring, 1889–1900

2024-1-2

The museum of the Roman-Christian necropolis of Tarragona in context

2024-1-2

Editorial

2024-1-2

Relics and rapprochement: The intricacies of cultural diplomacy in China’s first archaeological exhibition in the U.S. during the Cold War era

2023-12-20

Networking a national collection: Freer’s diaries, objects, and photographs

2023-7-3

The biography of the Lateran squeezes: The curation of archaeological knowledge through hands-on replication

2023-5-3

Nationalising heritage: A case study of the acquisition of artefacts for the national museum of India

2023-4-25

African museums and their participation in the debates on the ICOM new museum definition

2023-4-18

Introduction - An internal ecosystem: power balance in British curatorial practice

2023-1-2

A Great Wave reaches Newcastle: The 1913 Japanese Art Exhibition at the Laing Art gallery

2023-1-2

‘The Hatton gallery will be the scene of an experiment’: The impact of the relationship between a university institution, its art gallery and its fine art professor

2023-1-2

Curators as keepers and exhibition makers: The British Museum’s African Galleries

2023-1-2

‘Maker of exhibitions’: the curatorial practice of Cordelia Oliver

2023-1-2

Rising from the ashes of the film museum: the role of individual habitus and political-economic structures in the shaping of the British Film Institute’s curatorial strategies and the establishment of the BFI Gallery

2023-1-2

Curatorial practices and ‘intrinsically English’ art: The British pavilion at the Venice Biennale

2023-1-2

Men-only clubs and museums: associational culture and the gendering of Herne Bay’s museum between the wars

2022-7-3

The Museum: A Short History of Crisis and Resilience

2022-7-3

Te Papa to Berlin. The Making of Two Museums

2022-7-3

Filling the bottomless pit: Financing the construction of the Royal Museums of Art and History in interwar Belgium (1919–39)

2022-7-3

The forgotten museum of Hong Kong: a place of unfulfilled ambitions (1869–1933)

2022-7-3

The conservation-restoration history of museum collections in Turkey

2022-6-9

City museums in the emerging cities of Eastern Europe, 1880–1939: Introduction

2022-1-2

Displaying city and nation in the Prague City Museum (1883-1938)

2022-1-2

Representing the capital of a nation: Zagreb City Museum between Austria-Hungary and Yugoslavia (1907–1925)

2022-1-2

The port city of Gdynia and its City Museum in the 1930s

2022-1-2

Exhibiting city, region and Germanness: Erich Keyser and the State Regional Museum of Danzig History (1927–1939)

2022-1-2

A museum or a sanctuary of memory? The impact of a non-existent city museum in Russian Warsaw (1905–1915)

2022-1-2

Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of Collecting

2021-7-3

Regional identity and national identity. Provincial museums in Prussia at the turn of the twentieth century

2021-7-3

National museums, political systems, and cultural policies in Spain: The Museum of the Spanish People during the Second Republic, the dictatorship, and the parliamentary monarchy

2021-7-3

Fuegian diaspora: The itinerary and agents involved in the construction of Fuegian ethnographic collections carried out by Martin Gusinde through South America and Europe, 1918–1924

2021-7-3

Function or folly? Philip Johnson’s pavilion for pre-Columbian art in Washington DC

2021-2-8

Art museums of Latin America: structuring representation

2020-7-2

Regimes of value in museum practices: A networked biography of the MacGregor field collection from British New Guinea

2020-7-2

Formafantasma: <i>Cambio</i>

2020-7-2

Collecting the new: Major museum collections of twentieth-century Chinese painting in London and Oxford

2020-7-2

The revival of Byzantium through early twentieth century domestic collections in Greece: Tradition, modernity and gender

2020-7-2

The creation of the major medieval textile museum in Spain: A history of the discovery, study and initial exhibition of the collection (1942−1949)

2020-7-2

Capturing nature: early scientific photography at the Australian Museum 1857–1893

2020-3-9

From histories of museums to museum history: approaches to historicising colonial museums in Aotearoa New Zealand

2020-1-2

What were they thinking? Tracing evolution in the Otago Museum, 1868–1936

2020-1-2

Collecting, colonisation and civic culture in southern New Zealand

2020-1-2

Fitting the colonial museum dashboard? Civic action, curatorial agency and identity building at the Auckland Museum (1852–1929)

2020-1-2

Introduction: Museum histories in Aotearoa New Zealand: intersections of the local and the global

2020-1-2

Researching the natural history trade of the nineteenth century

2020-1-2

‘My dear Hooker’: the botanical landscape in colonial New Zealand

2020-1-2

Te Papa: Reinventing New Zealand’s national museum 1998-2018

2019-7-3