The manifestation and impact of the concept of “Three Yi” in the book of changes in the international dissemination of Chinese ethnic music: a case study of works from “Looking China Youth Film Project”

2024-8-22

The “self-orientalization” in the construction of Chinese film image and its path forward

2024-7-20

Cascade or updown sliding: the influence of interactive interface of short video app on information processing and user experience

2024-7-5

Strategies and impact of online communication on Chinese culture and tourism shows attendance

2024-7-2

Cognition, Experience & reaction: optimizing the Use of the Metaverse in Future Education from the perspective of the IPOP Theory

2024-7-2

Documentary images and religious communication: the ritual transmission and functional imagination of Tua Pek Kong worship of Hakka people in Southeast Asia

2024-6-28

Collective responsibility and crisis communication: cultural insights into COVID-19 information sharing behaviors in China

2024-6-25

Effect of cultural distance on female body image: a serial mediation model

2024-6-4

Virtual reality as a bridge: enhancing intercultural learning and communication skills among international students

2024-6-3

Being looked but not passively: reflections on the cross-cultural joint-shaping of China’s national image

2024-6-1

Harnessing digital innovation for cultural heritage: a study on communicating West Lake folk tales through digital picture books

2024-5-30

The contemporary value and utility of Lingnan ancient book publishing in the perspective of cultural communication

2024-5-13

Exploring the representation of Chinese cultural symbols dissemination in the era of large language models

2024-5-11

Communication and inheritance: the narrative logic of integration in the documentary “The New Biography of Intangible Cultural Heritage” from the perspective of communication

2024-5-7

How Danmaku influences college students’ attitudes toward characters in TV series: evidence from ERPs

2024-5-3

Searching for “Jia” at both ends: dual narrative of the cultural transmission among Chinese emigrants in Southeast Asia

2024-5-2

Context and difference in intercultural understanding: a case-study from the Neo-Confucian tradition

2024-5-2

Revitalization and propagation approach of Chinese historical dictionaries in the digital age

2024-5-2

In the era of declining population: the impact of online baby video clips on the fertility expectations of Chinese childless youth

2024-4-30

On the two-way accompaniment of the compilation of Confucius’ posthumous sayings and the dissemination of confucian culture

2024-4-27

World, culture, Chinese, understanding: a fragmentary epistemological conceptualization

2024-4-27

Wenhua as ornamentalization: transgressing methodological Eurocentrism

2024-4-27

Confucius and the Chinese culture: address to the young experts symposium (YES 2022)

2024-3-13

The Young Experts Symposium 2022 “Understanding Chinese Culture in the World”: reflections on a transgenerational and interdisciplinary exchange of thoughts

2024-3-1

Novelty and innovation, the joy of experimentation, and the “investigation of things” (gewu) in pre-modern China: the example of gunpowder

2024-3-1

Asian futures: the case of Sinofuturism

2024-3-1

Enhancing the Chinese identity of young people in Hong Kong and Macao based on the creation of cinematic virtual reality art, taking the cinematic virtual reality work I love being me: in my place, my home as an example

2023-12-1

On the unfinalizability and uncertainty of contemporary literature—an analysis of Mo Yan’s new novels

2023-12-1

The ideological origins and aesthetic construction of yijing (artistic conception)

2023-12-1

Reinterpretation of the autonomy of art in the contemporary environment

2023-12-1

The growth of Soviet music in the scope of Chinese cinema in the early period of the establishment of New China: an example of the interlude “Oh, the snowball tree is in blossom” in the film and television works of Ivan Perilyev

2023-12-1

The known ending: narrative closure and reading experience in Dream of the Red Chamber

2023-12-1

On the Western reception of Prince Zhu Zaiyu’s music theory from the eighteenth to the twentieth century

2023-11-29

Teaching cross-cultural documentary filmmaking in China: navigating a parallel universe

2023-3-1

Looking China Youth film project: untold stories a small handbook on documentary or how to shooting successfully in unknown circumstances

2023-3-1

Mini-documentaries and the invited gaze: an effective way of cross-cultural communication

2023-3-1

Looking at China from Abroad: intermediality as a tool for documentary

2023-3-1

Telling Chinese stories through first-person participatory documentaries

2023-3-1

Enhancing the international appeal of Chinese culture through the looking China Youth Film Project: a cese study at Sanxingdui

2023-3-1

The diversification on the grounds of transcultural paradigm in Looking China Youth Film Program

2023-3-1

Explorations in transcultural documentary: a study of the Looking China Youth Film Project

2023-3-1

Empathy and cross-cultural communication: atypical experience of The Song of New China

2023-2-28

Mood modulates attention in film viewing: an eye tracking study

2022-12-1

Traditional ethical concepts in Chinese fantasy films

2022-12-1

On Yingxi (影戏): exploring the origin of Chinese film aesthetics

2022-12-1

Douyin, storytelling, and national discourse

2022-12-1

On application of perception intelligence in international communication of the film and television industry: a case study on Crouching Tiger, Hidden Dragon

2022-12-1

Global communication of Chinese culture in the digital era: internal motivation and external challenges

2022-12-1

Dragon boat culture in Chebei: a case study of narratives of cultural memory in short videos

2022-12-1

The features of discourse in “online talk show culture”

2022-12-1